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Keita Matsunaga : Accumulation Flow

Past exhibition
2024年1月20日 - 3月9日
  • Overview
  • Works
  • Installation Views
  • Related Artists

Keita Matsunaga : Accumulation Flow

Past exhibition
2024年1月20日 - 3月9日
  • Overview
  • Works
  • Installation Views
  • Related Artists
Overview
Keita Matsunaga , Accumulation Flow

Nonaka-Hill is pleased to present, Accumulation Flow, Keita Matsunaga’s second solo exhibition in Los Angeles.  The exhibition opens January 20th and will be on view through March 9, 2024. An opening reception will be held for the artist on Saturday, January 20, from 5-8 pm.

 

Keita Matsunaga has long been fascinated by renewal, remixing, and reuse which traces to his training in architecture. His ceramics, like human-made structures, are made from his analyzation of its region’s raw materials. Both must be rooted in and sit atop a ground that is physically and symbolically understood. This gives Matsunaga a heightened sensitivity to his materials, his methods of layering predict the extent to which the ceramic’s distortion and cracking will guide his plans. The work depends on accumulations, dense strata that reaches into the past and decides the future on which his objects emerge and rest. 

 

Matsunaga realizes his new series of ceramics both by hand and from a unique casting process; the casts are hollowed out by Matsunaga’s hand and kiln fired, altering and vitrifying them into their final forms. All his objects, regardless of their incarnations, are the direct results of sedimentation: its raw materials are excavated through layers of sediment in his local region and its geological behaviors are organically reconstructed in the studio. By pouring layers of liquified clay into his molds, he allows pebbles and sand to settle as water runs through capillaries in the drying matrix, leading to cracks, fissures, and striations. The latter of which is analogous to tree rings, pond ripples, or the wrinkling of human skin, compounding a century, a moment, or lifetime into one object. 

 

Coated in urushi, a natural tree lacquer, Matsunaga’s earthen-colored works (many of which are titled Monuke, translating to “empty shell”) make overt references to the textures and traces of natural processes. Other works layered with multi-colored lacquers offer an alternate surface, like that of seashells and tea bowls, some of whose rims approximate the upsurge of boiling water in a tea kettle (they are titled MyakuMyaku, which translates to “pulse-pulse”). And there are works entitled Miki, (loosely translated as “trunk,”) one of which resembles a slice of a weathered tree with a void in the middle; other traditional swollen vessels are conflated with “tree-ness” by virtue of their title. But it is ironically the Puddle works that most resemble slices of trees, thus conflating its rings of time with ripples in water. Matsunaga also punctuates his exhibition with objects with no obvious referent but implying the organic or explicitly human- made or both—a book, cocoon, or fruit slice. Suffusing his works with the effects of natural phenomena, Matsunaga’s working methods can be perceived as meditative, instinctive, emotional, yet radically conceptual in practice. 

 

Born in Tajimi, Japan (an area well known for ceramics), in 1986, Keita Matsuaga currently lives and works in both Tajimi and Kani in Gifu prefecture.  The son of ceramists, his artistic training includes studying architecture at Meijo University, (2010), completing the Tajimi City Ceramics Design Laboratory (2013), and graduation from the Kanazawa Utsatsuyama Crafts Workshop (2016). Matsunaga has shown extensively across Japan in both a gallery setting and museums and has won several awards including the Takaoka Contemporary Craft Competition (2013).  His work was most recently included in Contemporary Pottery: inside⇄ outside, at the Aichi Prefectural Ceramic Museum, Seto, Japan (2022) and Rakusui-tei Art Museum, Toyama, Japan (2022). 

 

 

Keita Matsunaga

Accumulation Flow

Opening Reception: Saturday, January 20, 5-8 pm

We open to the public at 12 noon

720 N Highland Avenue Los Angeles CA 90038

 

 

Download Press Release
Works
  • Keita Matsunaga Monuke, 2023 Ceramic, urushi 24 3/8 x 27 1/8 x 9 1/2 in 62 x 69 x 24 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, urushi
    24 3/8 x 27 1/8 x 9 1/2 in
    62 x 69 x 24 cm
  • Keita Matsunaga Untitled, 2023 Ceramic, urushi 25 1/4 x 19 3/4 x 11 3/4 in 64 x 50 x 30 cm
    Keita Matsunaga
    Untitled, 2023
    Ceramic, urushi
    25 1/4 x 19 3/4 x 11 3/4 in
    64 x 50 x 30 cm
  • Keita Matsunaga Miki, 2023 Ceramic, urushi 19 3/4 x 21 5/8 x 21 5/8 in 50 x 55 x 55 cm
    Keita Matsunaga
    Miki, 2023
    Ceramic, urushi
    19 3/4 x 21 5/8 x 21 5/8 in
    50 x 55 x 55 cm
  • Keita Matsunaga Miki, 2023 Ceramic, glaze, urushi 11 1/4 x 9 3/4 x 9 3/4 in 28.5 x 24.8 x 24.8 cm
    Keita Matsunaga
    Miki, 2023
    Ceramic, glaze, urushi
    11 1/4 x 9 3/4 x 9 3/4 in
    28.5 x 24.8 x 24.8 cm
  • Keita Matsunaga Miki, 2023 Ceramic, glaze, urushi 12 5/8 x 9 3/4 x 9 3/4 in 32 x 24.8 x 24.8 cm
    Keita Matsunaga
    Miki, 2023
    Ceramic, glaze, urushi
    12 5/8 x 9 3/4 x 9 3/4 in
    32 x 24.8 x 24.8 cm
  • Keita Matsunaga Miki, 2023 Ceramic, glaze, urushi 13 3/4 x 9 3/4 x 9 3/4 in 35 x 24.8 x 24.8 cm
    Keita Matsunaga
    Miki, 2023
    Ceramic, glaze, urushi
    13 3/4 x 9 3/4 x 9 3/4 in
    35 x 24.8 x 24.8 cm
  • Keita Matsunaga Miki, 2023 Ceramic, glaze, urushi 13 3/8 x 9 7/8 x 9 7/8 in 34 x 25 x 25 cm
    Keita Matsunaga
    Miki, 2023
    Ceramic, glaze, urushi
    13 3/8 x 9 7/8 x 9 7/8 in
    34 x 25 x 25 cm
  • Keita Matsunaga Monuke, 2022 Ceramic, urushi 8 1/4 x 10 5/8 x 8 1/8 in 21 x 27 x 20.5 cm
    Keita Matsunaga
    Monuke, 2022
    Ceramic, urushi
    8 1/4 x 10 5/8 x 8 1/8 in
    21 x 27 x 20.5 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, urushi 9 1/2 x 12 3/8 x 12 3/4 in 24 x 31.5 x 32.5 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, urushi
    9 1/2 x 12 3/8 x 12 3/4 in
    24 x 31.5 x 32.5 cm
  • Keita Matsunaga Cocoon, 2023 Ceramic, urushi 9 7/8 x 22 x 8 5/8 in 25 x 56 x 22 cm
    Keita Matsunaga
    Cocoon, 2023
    Ceramic, urushi
    9 7/8 x 22 x 8 5/8 in
    25 x 56 x 22 cm
  • Keita Matsunaga Shikan, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 5 1/8 x 16 1/8 x 16 1/8 in 13 x 41 x 41 cm
    Keita Matsunaga
    Shikan, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    5 1/8 x 16 1/8 x 16 1/8 in
    13 x 41 x 41 cm
  • Keita Matsunaga Shikan, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 6 1/8 x 9 1/4 x 21 1/2 in 15.5 x 23.5 x 54.5 cm
    Keita Matsunaga
    Shikan, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    6 1/8 x 9 1/4 x 21 1/2 in
    15.5 x 23.5 x 54.5 cm
  • Keita Matsunaga Puddle, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 2 3/8 x 16 x 16 in 6 x 40.5 x 40.5 cm
    Keita Matsunaga
    Puddle, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    2 3/8 x 16 x 16 in
    6 x 40.5 x 40.5 cm
  • Keita Matsunaga Puddle, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 2 1/2 x 21 x 12 5/8 in 6.5 x 53.5 x 32 cm
    Keita Matsunaga
    Puddle, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    2 1/2 x 21 x 12 5/8 in
    6.5 x 53.5 x 32 cm
  • Keita Matsunaga Puddle, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 2 1/2 x 21 x 12 1/2 in 6.5 x 53.3 x 31.7 cm
    Keita Matsunaga
    Puddle, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    2 1/2 x 21 x 12 1/2 in
    6.5 x 53.3 x 31.7 cm
  • Keita Matsunaga Puddle, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 2 1/2 x 17 7/8 x 12 5/8 in 6.5 x 45.5 x 32 cm
    Keita Matsunaga
    Puddle, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    2 1/2 x 17 7/8 x 12 5/8 in
    6.5 x 45.5 x 32 cm
  • Keita Matsunaga Trace, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 17 3/8 x 11 3/4 x 2 1/2 in 44 x 30 x 6.5 cm
    Keita Matsunaga
    Trace, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    17 3/8 x 11 3/4 x 2 1/2 in
    44 x 30 x 6.5 cm
  • Keita Matsunaga Trace, 2023 Ceramic, urushi, with Kakishibu and iron mordant on oak wood 18 1/2 x 12 1/4 x 2 5/8 in 47 x 31 x 6.8 cm
    Keita Matsunaga
    Trace, 2023
    Ceramic, urushi, with Kakishibu and iron mordant on oak wood
    18 1/2 x 12 1/4 x 2 5/8 in
    47 x 31 x 6.8 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, urushi 18 1/8 x 11 1/4 x 8 1/2 in 46 x 28.5 x 21.5 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, urushi
    18 1/8 x 11 1/4 x 8 1/2 in
    46 x 28.5 x 21.5 cm
  • Keita Matsunaga Monuke, 2022 Ceramic, urushi 5 3/4 x 8 1/4 x 7 1/8 in 14.5 x 21 x 18 cm
    Keita Matsunaga
    Monuke, 2022
    Ceramic, urushi
    5 3/4 x 8 1/4 x 7 1/8 in
    14.5 x 21 x 18 cm
  • Keita Matsunaga Book, 2021 Ceramic, glaze, urushi 1 1/2 x 11 3/4 x 11 5/8 in 3.7 x 30 x 29.5 cm
    Keita Matsunaga
    Book, 2021
    Ceramic, glaze, urushi
    1 1/2 x 11 3/4 x 11 5/8 in
    3.7 x 30 x 29.5 cm
  • Keita Matsunaga Cocoon, 2023 Ceramic, urushi 6 7/8 x 12 x 11 3/8 in 17.5 x 30.5 x 29 cm
    Keita Matsunaga
    Cocoon, 2023
    Ceramic, urushi
    6 7/8 x 12 x 11 3/8 in
    17.5 x 30.5 x 29 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 7 7/8 x 10 5/8 x 14 1/8 in 20 x 27 x 36 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    7 7/8 x 10 5/8 x 14 1/8 in
    20 x 27 x 36 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 3 x 4 x 3 1/2 in 7.5 x 10 x 9 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    3 x 4 x 3 1/2 in
    7.5 x 10 x 9 cm
  • Keita Matsunaga MyakuMyaku, 2023 Ceramic, glaze, urushi 10 x 6 1/4 x 5 7/8 in 25.5 x 16 x 15 cm
    Keita Matsunaga
    MyakuMyaku, 2023
    Ceramic, glaze, urushi
    10 x 6 1/4 x 5 7/8 in
    25.5 x 16 x 15 cm
  • Keita Matsunaga MyakuMyaku, 2023 Ceramic, glaze, urushi 3 3/8 x 6 3/4 x 5 1/4 in 8.5 x 17 x 13.5 cm
    Keita Matsunaga
    MyakuMyaku, 2023
    Ceramic, glaze, urushi
    3 3/8 x 6 3/4 x 5 1/4 in
    8.5 x 17 x 13.5 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 3 3/8 x 4 x 3 1/2 in 8.5 x 10 x 9 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    3 3/8 x 4 x 3 1/2 in
    8.5 x 10 x 9 cm
  • Keita Matsunaga MyakuMyaku, 2023 Ceramic, glaze, urushi 3 3/8 x 6 1/8 x 5 1/2 in 8.5 x 15.5 x 14 cm
    Keita Matsunaga
    MyakuMyaku, 2023
    Ceramic, glaze, urushi
    3 3/8 x 6 1/8 x 5 1/2 in
    8.5 x 15.5 x 14 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 3 x 4 x 3 1/8 in 7.5 x 10 x 8 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    3 x 4 x 3 1/8 in
    7.5 x 10 x 8 cm
  • Keita Matsunaga Myaku Myaku - Red Fuji, 2023 Ceramic 3 1/2 x 6 1/8 x 5 7/8 in 9 x 15.5 x 15 cm
    Keita Matsunaga
    Myaku Myaku - Red Fuji, 2023
    Ceramic
    3 1/2 x 6 1/8 x 5 7/8 in
    9 x 15.5 x 15 cm
  • Keita Matsunaga Monuke - Red Fuji, 2023 Ceramic, glaze, urushi 3 x 4 1/8 x 3 3/8 in 7.5 x 10.5 x 8.5 cm
    Keita Matsunaga
    Monuke - Red Fuji, 2023
    Ceramic, glaze, urushi
    3 x 4 1/8 x 3 3/8 in
    7.5 x 10.5 x 8.5 cm
  • Keita Matsunaga Monuke - Bubble, 2023 Ceramic, glaze, urushi 3 1/8 x 4 1/8 x 3 3/4 in 8 x 10.5 x 9.5 cm
    Keita Matsunaga
    Monuke - Bubble, 2023
    Ceramic, glaze, urushi
    3 1/8 x 4 1/8 x 3 3/4 in
    8 x 10.5 x 9.5 cm
  • Keita Matsunaga MyakuMyaku - Bubble, 2023 Ceramic, glaze, urushi 4 1/2 x 5 3/4 x 5 3/4 in 11.5 x 14.5 x 14.5 cm
    Keita Matsunaga
    MyakuMyaku - Bubble, 2023
    Ceramic, glaze, urushi
    4 1/2 x 5 3/4 x 5 3/4 in
    11.5 x 14.5 x 14.5 cm
  • Keita Matsunaga MyakuMyaku - Blazing Sun, 2023 Ceramic, glaze, urushi 4 3/8 x 5 1/8 x 5 1/8 in 11 x 13 x 13 cm
    Keita Matsunaga
    MyakuMyaku - Blazing Sun, 2023
    Ceramic, glaze, urushi
    4 3/8 x 5 1/8 x 5 1/8 in
    11 x 13 x 13 cm
  • Keita Matsunaga Monuke - Blazing Sun, 2023 Ceramic, glaze, urushi 3 1/8 x 4 3/8 x 3 3/8 in 8 x 11 x 8.5 cm
    Keita Matsunaga
    Monuke - Blazing Sun, 2023
    Ceramic, glaze, urushi
    3 1/8 x 4 3/8 x 3 3/8 in
    8 x 11 x 8.5 cm
  • Keita Matsunaga MyakuMyaku, 2023 Ceramic, glaze, urushi 4 1/8 x 5 1/2 x 4 3/4 in 10.5 x 14 x 12 cm
    Keita Matsunaga
    MyakuMyaku, 2023
    Ceramic, glaze, urushi
    4 1/8 x 5 1/2 x 4 3/4 in
    10.5 x 14 x 12 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 3 3/8 x 4 1/2 x 3 1/8 in 8.5 x 11.5 x 8 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    3 3/8 x 4 1/2 x 3 1/8 in
    8.5 x 11.5 x 8 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 3 1/8 x 4 x 3 1/2 in 8 x 10 x 9 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    3 1/8 x 4 x 3 1/2 in
    8 x 10 x 9 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 3 1/8 x 3 1/2 x 3 1/2 in 8 x 9 x 9 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    3 1/8 x 3 1/2 x 3 1/2 in
    8 x 9 x 9 cm
  • Keita Matsunaga Monuke, 2023 Ceramic, glaze, urushi 3 1/8 x 4 x 3 1/2 in 8 x 10 x 9 cm
    Keita Matsunaga
    Monuke, 2023
    Ceramic, glaze, urushi
    3 1/8 x 4 x 3 1/2 in
    8 x 10 x 9 cm
Installation Views
  • Dsc 5656
  • Dsc 5655
  • Dsc 5652
  • Dsc 5631
  • Dsc 5632
  • Dsc 5640
  • Dsc 5633
  • Dsc 5637
  • Dsc 5629
  • Dsc 5628
  • Dsc 5653
  • Dsc 5626
  • Dsc 5624
  • Dsc 5656
  • Dsc 5655
  • Dsc 5652
  • Dsc 5631
  • Dsc 5632
  • Dsc 5640
  • Dsc 5633
  • Dsc 5637
  • Dsc 5629
  • Dsc 5628
  • Dsc 5653
  • Dsc 5626
  • Dsc 5624

Related artist

  • Keita Matsunaga

    Keita Matsunaga

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Artist Exhibited:

Kiyoshi Awazu
Miho Dohi

Koichi Enomoto

Daisuke Fukunaga

Shuzo Kazuchi Gulliver

Mitsutoshi Hanaga

Shigeru Hasegawa

Tatsumi Hijikata
Naotaka Hiro

Takashi Homma
Eikoh Hosoe

Kyoko Idetsu

Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata

Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima

Jiro Nagase

Tomohisa Obana

Tomoko Obana

Toru Otani

Kaz Oshiro
Sterling Ruby

Trevor Shimizu

Megumi Shinozaki

Kenzi Shiokava

Michael E. Smith

Hiroshi Sugito

Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga

Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga

 

Exhibitions:

-2025- 

KEY HIRAGA: The Elegant Life of Mr. H

We Like Us

SAWAKO GODA

TAKESHI HONDA • TOMOKO OBANA

-2024-

JIRO NAGASE

ULALA IMAI: ARCADIA

MIHO DOHI

KYOKO IDETSU: What can an ideology do for me?

KENTARO KAWABATA / BRUCE NAUMAN

SHINJIRO OKAMOTO: TALKATIVE

SAORI (MADOKORO) AKUTAGAWA: CENTENARIA

Keita Matsunaga : Accumulation Flow

-2023-

NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan

TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies

TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda

Sanya Kantarovsky: TO PRISON – with selections from Tatsumi Hijikata The Last Butoh, Photographs by Yasuo Kuroda

Kiyomizu Rokubey VIII: CERAMIC SIGHT

Megumi Shinozaki: Now/Then

Kenzi Shiokava

Kokuta Suda: Okukō 憶劫

Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones

Kazuo Kadonaga

SHUZO AZUCHI GULLIVER  ‘Synogenesis’

- 2022 -

Koichi Enomoto: Against the day

Shigeru Hasegawa: painting

Tatsuo Ikeda / Michael E. Smith

Hiroshi Sugito: the garden with Zenzaburo Kojima

Zenzaburo Kojima: This very green

Tomoko Obana and Toru Otani

Tomohisa Obana: To see the rainbow at night, I must make it myself

Daisuke Fukunaga: Beautiful Work

not titled not Untitled

- 2021 -

Kentaro Kawabata: 凸凹 Bumpy

Natsuyasumi: In the Beginning Was Love

Takashi Homma: mushrooms from the forest

Busy Work at Home

Ulala Imai: AMAZING

– 2020 –

Hosai Matsubayashi XVI & Trevor Shimizu

Megumi Shinozaki: PAPER EDEN

Sterling Ruby and Masaomi Yasunaga

Kaz Oshiro: 96375

Sofu Teshigahara

– 2019 –

Keita Matsunaga

A show about an architectural monograph

Tatsumi Hijikata

Eikoh Hosoe

Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama

– 2018 –

Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass

Kimiyo Mishima: Paintings

Shomei Tomatsu: Plastics

Press:

 -2025-

Artillery Magazine, Sawako Goda 

-2024-

Artsy, Nonaka-Hill

Richesse, Nonaka-Hill Kyoto

Bijutsutecho, Nonaka-Hill Kyoto

The Art Newspaper, Nonaka-Hill Kyoto

Meer, Kyoko Idetsu

Bijyutsutecho, Masaomi Yasunaga

Switch, Masaomi Yasunaga

ARTnews JAPAN, Masaomi Yasunaga

Richesse, Masaomi Yasunaga

Art Basel,  Daisuke Fukunaga, Imai Ulala

Art Basel, Kazuo Kadonaga, Sofu Teshigahara 

-2023-

ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata

e-flux, Sanya Kantarofsky, Yasuo Kuroda

Los Angeles Times, Kenzi Shiokava

Artillery, Masaomi Yasunaga

Contemporary Art Daily Shuzo Azuchi Gulliver

- 2022 -

Contemporary Art Daily, Tomohisa Obana

ARTE FUSE, Daisuke Fukunaga

Contemporary Art Daily, Daisuke Fukunaga

Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga

What's on Los Angeles, Daisuke Fukunaga

Hyperallergic, Daisuke Fukunaga

Artillery, Kentaro Kawabata
Larchmont Buzz, Kentaro Kawabata

- 2021 -

Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love

Art Viewer, Takashi Homma

Hyperallergic, Busy Work at Home

Art Viewer, Busy Work at Home

Hyperallergic, Ulala Imai

Contemporary Art Review Los Angeles (Carla), Ulala Imai

Contemporary Art Daily, Ulala Imai

artillery, Ulala Imai

Special Ops, Ulala Imai

Art Viewer, Ulala Imai

artillery, Matsubayashi & Trevor Shimizu

– 2020 –

Ceramic Now, Sterling Ryby and Masaomi Yasunaga

Hypebeast, Sterling Ryby and Masaomi Yasunaga

Art Viewer, Sterling Ruby and Masaomi Yasunaga

Air Mail, Sterling Ruby and Masaomi Yasunaga

Los Angeles Times, Kaz Oshiro 

ArtnowLA, Kaz Oshiro

What's on Los Angeles, Kaz Oshiro

KCRW, Kaz Oshiro

Tique, Kaz Oshiro

Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga

 – 2019 –

Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review  Los Angeles, Tatsumi Hijikata, Eikoh Hosoe

ArtAsiaPacific, Yutaka Matsuzawa

Los Angeles Times, Tatsumi Hijikata

AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill

ARTFORUM, Takuro Tamayama, Tiger Tateishi

Art Viewer, Takuro Tamayama, Tiger Tateishi

KCRW, Nonaka-Hill

LA WEEKLY, Nonaka-Hill

AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi

ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito

Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga

KQED, Tadaaki Kuwayama, Rakuko Naito

Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Los Angeles Times, Miho Dohi

Los Angeles Review of Books, Miho Dohi

Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Art Viewer, Miho Dohi

Art & Object, Parergon

COOL HUNTING, Felix Art Fair

Art Viewer, Tadaaki Kuwayama

artnet news, Nonaka-Hill

Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama 
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu

 

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