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Busy Work at Home

Past exhibition
2021年4月10日 - 5月29日
  • Overview
  • Works
  • Installation Views
  • Video
  • Related Artists

Busy Work at Home

Past exhibition
2021年4月10日 - 5月29日
  • Overview
  • Works
  • Installation Views
  • Video
  • Related Artists
Overview
Busy Work at Home

 

Press:

Hyperallergic: May 25, 2021

Art Viewer: May 9, 2021

 


 

Busy Work at Home

A group show from a mid-pandemic point of view; a sentimental journey for multitaskers and “A Celebration of Specialness”.

 

includes work by: BLESS, David Byrne, Aki Goto, Alice Hutchins, Studio of Maki Kinnosuke, Adelle Lutz, Enzo Mari, Ingo Maurer, Issey Miyake, Nintendo, Tomohisa Obana, Toru Otani, Joel Otterson, Tejo Remy, Alma Siedhoff-Buscher and Studio of Kamekichi Tsunajima.

 

Nonaka-Hill is pleased to share our fondness for tatebanko prints, produced in Japan during the Edo Period (1603-1868) through Meiji Restoration (1868 – 1912). These colorful images, usually depicting important buildings, historic battles, or Kabuki theatre scenes are segmented into multiple image composition parts, swirling in every direction to fill the page. By cutting around the periphery of the images, a small toy diorama could be set up. Perhaps tatebanko were meant to keep children’s little hands busy and minds stimulated while parents do “grown-up stuff”. From a 21st Century point of view, these 3 or 5 sheet suites appear Surreal or Abstract, but in their day, these notions barely existed. Now considered rare, it is a conundrum that the page must be destroyed for the 2D image to reach its 3D potential.

 

These tatebanko diorama print suites are the inspiration for our meandering exhibition, which stages artworks, design objects, costumes and garments, antique furnishings, film and video, camouflaging with “Wallscape” murals from Bless and a few room accents from Target to create tableau which may, for some, evoke diverse conditions experienced in our current Covid-19 pandemic.

 

Artist and artwork information: CLICK HERE

For additional information, please contact: gallery@nonaka-hill.com

 

 

Works
  • Studio of Kinnosuke Maki Diagram of the Great Fierce Attack on Nanzan Mountain during the Russo-Japanese War, 1904, Meiji 37 Woodblock prints as buildable paper toy set, a triptych. 14 3/8” x 9 1/2” each 36.5cm x 24.2cm each
    Studio of Kinnosuke Maki
    Diagram of the Great Fierce Attack on Nanzan Mountain during the Russo-Japanese War, 1904, Meiji 37
    Woodblock prints as buildable paper toy set, a triptych.
    14 3/8” x 9 1/2” each
    36.5cm x 24.2cm each
  • Studio of Kamekichi Tsunajima 鬼一法眼鞍馬山術健の場組上, 1912, Meiji 45 Woodblock print. 14 5/8 x 9 13/16 in each 37 x 25 cm each
    Studio of Kamekichi Tsunajima
    鬼一法眼鞍馬山術健の場組上, 1912, Meiji 45
    Woodblock print.
    14 5/8 x 9 13/16 in each
    37 x 25 cm each
  • Studio of Kinnosuke Maki Defeat of a Female Demon at Togakushi, 1893, Meiji 26 Woodblock prints as buildable paper toy set, a triptych. 14 13/16 x 9 7/8 in each 37.5cm x 25 cm each
    Studio of Kinnosuke Maki
    Defeat of a Female Demon at Togakushi, 1893, Meiji 26
    Woodblock prints as buildable paper toy set, a triptych.
    14 13/16 x 9 7/8 in each
    37.5cm x 25 cm each
  • Adelle Lutz Urban Camouflage Clothing: Brick Suit, 1986 Mixed media.
    Adelle Lutz
    Urban Camouflage Clothing: Brick Suit, 1986
    Mixed media.
  • Adelle Lutz Urban Camouflage Clothing: Brick Suit, 1986 Mixed media.
    Adelle Lutz
    Urban Camouflage Clothing: Brick Suit, 1986
    Mixed media.
  • Adelle Lutz Urban Camouflage Clothing: Brick Dress, 1986 Mixed media.
    Adelle Lutz
    Urban Camouflage Clothing: Brick Dress, 1986
    Mixed media.
  • Adelle Lutz Urban Camouflage Clothing: Column Dress, 1986 Mixed media.
    Adelle Lutz
    Urban Camouflage Clothing: Column Dress, 1986
    Mixed media.
  • Tomohisa Obana 16, 2020 Clay, glaze. Paulownia tomobako box, titled, signed & stamped in ink, printed paper, ribbon.
    Tomohisa Obana
    16, 2020
    Clay, glaze.
    Paulownia tomobako box, titled, signed & stamped in ink, printed paper, ribbon.
  • Tomohisa Obana (not yet titled), 2021 Six clay balls. Paulownia tomobako box, titled, signed & stamped in ink. ball: 1 1/8 in diameter ball: 2.9 cm diameter tomobako: 2 3/8 x 12 1/8 x 2 1/4 in tomobako: 6 x 30.6 x 5.6 cm
    Tomohisa Obana
    (not yet titled), 2021
    Six clay balls.
    Paulownia tomobako box, titled, signed & stamped in ink.
    ball: 1 1/8 in diameter
    ball: 2.9 cm diameter
    tomobako: 2 3/8 x 12 1/8 x 2 1/4 in
    tomobako: 6 x 30.6 x 5.6 cm
  • Tomohisa Obana Tsuchidama, 2021 24 clay balls (1 3/8 in, 3.5 cm diameter each) with 2 tier Paulownia tomobako box, titled, signed & stamped in ink. 5 1/4 x 6 1/8 x 7 7/8 in 13.3 x 15.6 x 20 cm
    Tomohisa Obana
    Tsuchidama, 2021
    24 clay balls (1 3/8 in, 3.5 cm diameter each) with 2 tier Paulownia tomobako box, titled, signed & stamped in ink.
    5 1/4 x 6 1/8 x 7 7/8 in
    13.3 x 15.6 x 20 cm
  • Tomohisa Obana 好日 / Good Day, 2020 Clay, low temperature glaze . 5 7/8 x 5 3/4 x 5 3/4 in 15 x 14.5 x 14.5 cm
    Tomohisa Obana
    好日 / Good Day, 2020
    Clay, low temperature glaze .
    5 7/8 x 5 3/4 x 5 3/4 in
    15 x 14.5 x 14.5 cm
  • Joel Otterson Ballade d'Or, 2015 Wool carpet, velvet, brass, glass, plastic, porcelain and steel 44 3/4 x 21 1/2 x 3 in 113.7 x 54.6 x 7.6 cm
    Joel Otterson
    Ballade d'Or, 2015
    Wool carpet, velvet, brass, glass, plastic, porcelain and steel
    44 3/4 x 21 1/2 x 3 in
    113.7 x 54.6 x 7.6 cm
  • Joel Otterson Rosa Toccatta, 2015 Wool carpet, velvet, brass, glass, plastic, coral, porcelain, shell, mother of pearl and wood. 46 1/2 x 25 x 3 1/4 in 118.1 x 63.5 x 8.3 cm
    Joel Otterson
    Rosa Toccatta, 2015
    Wool carpet, velvet, brass, glass, plastic, coral, porcelain, shell, mother of pearl and wood.
    46 1/2 x 25 x 3 1/4 in
    118.1 x 63.5 x 8.3 cm
  • Alt text sampls
    Joel Otterson
    My Shoes, 1988
    Mixed media.
    60 x 24 x 24 in
    152.4 x 61 x 61 cm
  • Joel Otterson Good Luck Happy Crystal Rainbow, 2014 Beads, wire, chain, amethyst crystals, horse shoe and steel. 84 x 13 x 5 in 213.4 x 33 x 12.7 cm
    Joel Otterson
    Good Luck Happy Crystal Rainbow, 2014
    Beads, wire, chain, amethyst crystals, horse shoe and steel.
    84 x 13 x 5 in
    213.4 x 33 x 12.7 cm
  • Studio of Kinnosuke Maki Fierce battle near the Twelfth Phoenix Castle in the Russo-Japanese War, 1904, Meiji 37 Woodblock prints as buildable paper toy set, a triptych. 14 1/4 x 9 1/2 in each 36cm x 24 cm each
    Studio of Kinnosuke Maki
    Fierce battle near the Twelfth Phoenix Castle in the Russo-Japanese War, 1904, Meiji 37
    Woodblock prints as buildable paper toy set, a triptych.
    14 1/4 x 9 1/2 in each
    36cm x 24 cm each
  • Studio of Kinnosuke Maki Yoritomo Fujino Makikari Nita Shiro Isao Nozomi Zukumi Kamike, 1897, Meiji 30 Woodblock prints as buildable paper toy set, a five sheet suite. 14 1/2 x 9 13/16 in each 37cm x 25cm each
    Studio of Kinnosuke Maki
    Yoritomo Fujino Makikari Nita Shiro Isao Nozomi Zukumi Kamike, 1897, Meiji 30
    Woodblock prints as buildable paper toy set, a five sheet suite.
    14 1/2 x 9 13/16 in each
    37cm x 25cm each
  • Studio of Kinnosuke Maki Miniature stage model of a kabuki performance, 1898, Meiji 31 Woodblock prints as buildable paper toy set, a five sheet suite. Good impressions and condition, a minute hole, fold lines. 14 1/2 x 10 in each 37 x 25.3 cm each
    Studio of Kinnosuke Maki
    Miniature stage model of a kabuki performance, 1898, Meiji 31
    Woodblock prints as buildable paper toy set, a five sheet suite. Good impressions and condition, a minute hole, fold lines.
    14 1/2 x 10 in each
    37 x 25.3 cm each
  • Alice Hutchins Canal Street Series, 1968-2005 Alnico magnet and painted steel component dimensions variable
    Alice Hutchins
    Canal Street Series, 1968-2005
    Alnico magnet and painted steel component
    dimensions variable
  • Alice Hutchins NEBULA, 1971 Magnetic Sculpture in original packaging, repaired paper label.
    Alice Hutchins
    NEBULA, 1971
    Magnetic Sculpture in original packaging, repaired paper label.
  • Alice Hutchins Untitled, ca 1973 Two Alnico magnets, steel balls, metal discs dimensions variable
    Alice Hutchins
    Untitled, ca 1973
    Two Alnico magnets, steel balls, metal discs
    dimensions variable
  • Alice Hutchins Untitled, 1980 Ferrite magnet, metal found object, color plastic, colored screws, galvanized metal dimensions variable
    Alice Hutchins
    Untitled, 1980
    Ferrite magnet, metal found object, color plastic, colored screws, galvanized metal
    dimensions variable
  • Alice Hutchins Untitled (a multiple), ca 1969 Four plated and painted Alnico magnets dimensions variable
    Alice Hutchins
    Untitled (a multiple), ca 1969
    Four plated and painted Alnico magnets
    dimensions variable
  • Toru Otani Astral (black, green), 2020 Color pencil on abrasive paper 22 1/8 x 18 1/8 in 56 x 46 cm
    Toru Otani
    Astral (black, green), 2020
    Color pencil on abrasive paper
    22 1/8 x 18 1/8 in
    56 x 46 cm
  • Toru Otani - 大谷 透, Eyes (red), 2019
    Toru Otani - 大谷 透, Eyes (red), 2019
  • Toru Otani - 大谷 透, Hands (black), 2019
    Toru Otani - 大谷 透, Hands (black), 2019
  • Toru Otani Night, 2013 Color pencil on abrasive paper 22 1/8 x 18 1/8 in 56 x 46 cm
    Toru Otani
    Night, 2013
    Color pencil on abrasive paper
    22 1/8 x 18 1/8 in
    56 x 46 cm
  • Toru Otani (insert kanji) society, 2020 Color pencil on note 8 1/4 x 5 7/8 in 21 x 15 cm
    Toru Otani
    (insert kanji) society, 2020
    Color pencil on note
    8 1/4 x 5 7/8 in
    21 x 15 cm
  • Toru Otani Astral (black, green), 2020 Colour pencil on abrasive paper 22 1/8 x 17 3/4 in 56 x 45 cm
    Toru Otani
    Astral (black, green), 2020
    Colour pencil on abrasive paper
    22 1/8 x 17 3/4 in
    56 x 45 cm
  • Toru Otani left hand, 2020 Color pencil on postcard. 5 1/2 x 3 1/2 in 14 x 9 cm
    Toru Otani
    left hand, 2020
    Color pencil on postcard.
    5 1/2 x 3 1/2 in
    14 x 9 cm
  • Toru Otani Two Tanks (Gray), 2018 Color pencil on abrasive paper. 11 1/8 x 18 1/8 in 28 x 46 cm
    Toru Otani
    Two Tanks (Gray), 2018
    Color pencil on abrasive paper.
    11 1/8 x 18 1/8 in
    28 x 46 cm
  • Toru Otani KSF Red, 2018 Color pencil on abrasive paper 11 1/8 x 18 1/8 in 28 x 46 cm
    Toru Otani
    KSF Red, 2018
    Color pencil on abrasive paper
    11 1/8 x 18 1/8 in
    28 x 46 cm
  • Toru Otani two triangles, 2020 Color pencil on postcard. 8 1/4 x 5 7/8 in 21 x 15 cm
    Toru Otani
    two triangles, 2020
    Color pencil on postcard.
    8 1/4 x 5 7/8 in
    21 x 15 cm
  • Toru Otani ドライブ Drive, 2020 Color pencil on paper 5 7/8 x 8 1/4 in 15 x 21 cm
    Toru Otani
    ドライブ Drive, 2020
    Color pencil on paper
    5 7/8 x 8 1/4 in
    15 x 21 cm
  • Toru Otani - 大谷 透, 10 of Crabs, 2015
    Toru Otani - 大谷 透, 10 of Crabs, 2015
  • Toru Otani - 大谷 透, 3 of Crabs, 2015
    Toru Otani - 大谷 透, 3 of Crabs, 2015
  • Aki Goto Hanten, 2020 Misc. fabrics, hand-stitching. 57 x 31 in 144.8 x 78.7 cm
    Aki Goto
    Hanten, 2020
    Misc. fabrics, hand-stitching.
    57 x 31 in
    144.8 x 78.7 cm
  • Aki Goto Hanten, 2020 Misc. fabrics, hand-stitching. 57 x 27 1/2 in 144.8 x 70 cm
    Aki Goto
    Hanten, 2020
    Misc. fabrics, hand-stitching.
    57 x 27 1/2 in
    144.8 x 70 cm
  • Aki Goto Hanten, 2020 Misc. fabrics, hand-stitching. 57 x 30 1/2 in 144.8 x 77.5 cm
    Aki Goto
    Hanten, 2020
    Misc. fabrics, hand-stitching.
    57 x 30 1/2 in
    144.8 x 77.5 cm
  • Aki Goto Hanten, 2020 Misc. fabrics, hand-stitching.
    Aki Goto
    Hanten, 2020
    Misc. fabrics, hand-stitching.
  • Aki Goto Hanten (child's), 2020 Misc. fabrics, hand-stitching. 40 1/2 x 18 in 102.9 x 45.7 cm
    Aki Goto
    Hanten (child's), 2020
    Misc. fabrics, hand-stitching.
    40 1/2 x 18 in
    102.9 x 45.7 cm
  • Alma Siedhoff-Buscher Bauhaus Bauspiel, 1923 Painted wood 1 5/8 x 10 5/8 x 2 1/2 in 4 x 27 x 6.5 cm
    Alma Siedhoff-Buscher
    Bauhaus Bauspiel, 1923
    Painted wood
    1 5/8 x 10 5/8 x 2 1/2 in
    4 x 27 x 6.5 cm
  • Studio of Kinnosuke Maki Miniature stage model of a kabuki performance, 1897, Meiji-period & later Woodblock prints as buildable paper toy set, a triptych. Good impressions and condition 15 9/16” x 10 3/8” each 39.5cm x 26.3cm each
    Studio of Kinnosuke Maki
    Miniature stage model of a kabuki performance, 1897, Meiji-period & later
    Woodblock prints as buildable paper toy set, a triptych. Good impressions and condition
    15 9/16” x 10 3/8” each
    39.5cm x 26.3cm each
  • Studio of Kinnosuke Maki The Russo-Japanese War: My scouting cavalry in action by the Yalu River, 1904, Meiji 37 Woodblock prints as buildable paper toy set, a triptych. 14 1/4 x 9 5/8 in each 36cm x 24.5 cm each
    Studio of Kinnosuke Maki
    The Russo-Japanese War: My scouting cavalry in action by the Yalu River, 1904, Meiji 37
    Woodblock prints as buildable paper toy set, a triptych.
    14 1/4 x 9 5/8 in each
    36cm x 24.5 cm each
  • Studio of Kinnosuke Maki Miniature stage model of the play Kumagai, 1894, Meiji 27 Woodblock prints as buildable paper toy set, a triptych. 10 5/16” x 15 1/2” each 39.5cm x 26.2 cm each
    Studio of Kinnosuke Maki
    Miniature stage model of the play Kumagai, 1894, Meiji 27
    Woodblock prints as buildable paper toy set, a triptych.
    10 5/16” x 15 1/2” each
    39.5cm x 26.2 cm each
  • Studio of Kinnosuke Maki 歌舞伎座當り狂言鏡山組上, 1900, Meiji 33 Woodblock prints as buildable paper toy set, a triptych. 14 3/8 x 9 11/16 in each 36.5cm x 24.7 cm each
    Studio of Kinnosuke Maki
    歌舞伎座當り狂言鏡山組上, 1900, Meiji 33
    Woodblock prints as buildable paper toy set, a triptych.
    14 3/8 x 9 11/16 in each
    36.5cm x 24.7 cm each
  • Studio of Kinnosuke Maki 歌舞伎座新狂言侠客春雨傘中之町場組上ケ, 1872, Meiji 3 Woodblock prints as buildable paper toy set, a triptych. 14 1/2 x 9 13/16 in each 37cm x 25cm each
    Studio of Kinnosuke Maki
    歌舞伎座新狂言侠客春雨傘中之町場組上ケ, 1872, Meiji 3
    Woodblock prints as buildable paper toy set, a triptych.
    14 1/2 x 9 13/16 in each
    37cm x 25cm each
  • Studio of Kinnosuke Maki 市川左団次當り狂言丸橋忠弥召捕之場, 1894, Meiji 27 Woodblock prints as buildable paper toy set, a triptych. 14 1/2 x 9 13/16 in each 37cm x 25cm each
    Studio of Kinnosuke Maki
    市川左団次當り狂言丸橋忠弥召捕之場, 1894, Meiji 27
    Woodblock prints as buildable paper toy set, a triptych.
    14 1/2 x 9 13/16 in each
    37cm x 25cm each
  • Studio of Kinnosuke Maki 吉野山忠信勇戦之場組上ケ, 1899, Meiji 32 Woodblock prints as buildable paper toy set, a triptych. 14 1/2 x 9 13/16 in each 37cm x 25cm each
    Studio of Kinnosuke Maki
    吉野山忠信勇戦之場組上ケ, 1899, Meiji 32
    Woodblock prints as buildable paper toy set, a triptych.
    14 1/2 x 9 13/16 in each
    37cm x 25cm each
  • BLESS BLESS Nº26 Multiplug Natural wood beads, Electric devise with several outlets suspended from the ceiling, fringe cable. You can plug in BLESS Lampknots or any other devise - a modern chandelier.
    BLESS
    BLESS Nº26 Multiplug
    Natural wood beads, Electric devise with several outlets suspended from the ceiling, fringe cable. You can plug in BLESS Lampknots or any other devise - a modern chandelier.
  • BLESS N°56 Worker’s Delight: Rythmer Stepper: 100% steel with rubber foam protraction. Cushion: 100% cotton cover, 100% polyester filling.
    BLESS
    N°56 Worker’s Delight: Rythmer
    Stepper: 100% steel with rubber foam protraction.
    Cushion: 100% cotton cover, 100% polyester filling.
  • BLESS N°56 Worker’s Delight: Neckrestdesk cushions: cover 100% cotton, filling 100% foam & plywood metal structure: 100% steel with rubber foam protaction colormix 50 1/2 x 38 x 22 in 128.3 x 96.5 x 55.9 cm
    BLESS
    N°56 Worker’s Delight: Neckrestdesk
    cushions: cover 100% cotton, filling 100% foam & plywood
    metal structure: 100% steel with rubber foam protaction colormix
    50 1/2 x 38 x 22 in
    128.3 x 96.5 x 55.9 cm
Installation Views
  • Nhg Exh 2021 Bwah View 002 Ext
  • Nhg Exh 2021 Bwah View 001 Ext
  • Nhg Exh 2021 Bwah View 003 Ext
  • Nhg Exh 2021 Bwah View 005
  • Nhg Exh 2021 Bwah View 008
  • Nhg Exh 2021 Bwah View 006
  • Nhg Exh 2021 Bwah View 007
  • Nhg Exh 2021 Bwah View 012
  • Nhg Exh 2021 Bwah View 014
  • Nhg Exh 2021 Bwah View 010
  • Nhg Exh 2021 Bwah View 011
  • Nhg Exh 2021 Bwah View 004 Entrance
  • Nhg Exh 2021 Bwah View 015
  • Nhg Exh 2021 Bwah View 013
  • Nhg Exh 2021 Bwah View 018
  • Nhg Exh 2021 Bwah View 016
  • Nhg Exh 2021 Bwah View 017
  • Nhg Exh 2021 Bwah View 009
  • Nhg Exh 2021 Bwah View 019
  • Nhg Exh 2021 Bwah View 022
  • Nhg Exh 2021 Bwah View 024
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  • Nhg Exh 2021 Bwah View 025
  • Nhg Exh 2021 Bwah View 021
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  • Nhg Exh 2021 Bwah View 031
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  • Nhg Exh 2021 Bwah View 048
  • Nhg Exh 2021 Bwah View 043
  • Nhg Exh 2021 Bwah View 044
  • Nhg Exh 2021 Bwah View 045
  • Nhg Exh 2021 Bwah View 047
  • Nhg Exh 2021 Bwah View 046
  • Nhg Exh 2021 Bwah View 054
  • Nhg Exh 2021 Bwah View 052
  • Nhg Exh 2021 Bwah View 049
  • Nhg Exh 2021 Bwah View 053
  • Nhg Exh 2021 Bwah View 002 Ext
  • Nhg Exh 2021 Bwah View 001 Ext
  • Nhg Exh 2021 Bwah View 003 Ext
  • Nhg Exh 2021 Bwah View 005
  • Nhg Exh 2021 Bwah View 008
  • Nhg Exh 2021 Bwah View 006
  • Nhg Exh 2021 Bwah View 007
  • Nhg Exh 2021 Bwah View 012
  • Nhg Exh 2021 Bwah View 014
  • Nhg Exh 2021 Bwah View 010
  • Nhg Exh 2021 Bwah View 011
  • Nhg Exh 2021 Bwah View 004 Entrance
  • Nhg Exh 2021 Bwah View 015
  • Nhg Exh 2021 Bwah View 013
  • Nhg Exh 2021 Bwah View 018
  • Nhg Exh 2021 Bwah View 016
  • Nhg Exh 2021 Bwah View 017
  • Nhg Exh 2021 Bwah View 009
  • Nhg Exh 2021 Bwah View 019
  • Nhg Exh 2021 Bwah View 022
  • Nhg Exh 2021 Bwah View 024
  • Nhg Exh 2021 Bwah View 020
  • Nhg Exh 2021 Bwah View 025
  • Nhg Exh 2021 Bwah View 021
  • Nhg Exh 2021 Bwah View 028
  • Nhg Exh 2021 Bwah View 029
  • Nhg Exh 2021 Bwah View 023
  • Nhg Exh 2021 Bwah View 026
  • Nhg Exh 2021 Bwah View 031
  • Nhg Exh 2021 Bwah View 032
  • Nhg Exh 2021 Bwah View 030
  • Nhg Exh 2021 Bwah View 027
  • Nhg Exh 2021 Bwah View 033
  • Nhg Exh 2021 Bwah View 035
  • Nhg Exh 2021 Bwah View 037
  • Nhg Exh 2021 Bwah View 034
  • Nhg Exh 2021 Bwah View 036
  • Nhg Exh 2021 Bwah View 038
  • Nhg Exh 2021 Bwah View 042
  • Nhg Exh 2021 Bwah View 039
  • Nhg Exh 2021 Bwah View 041
  • Nhg Exh 2021 Bwah View 040
  • Nhg Exh 2021 Bwah View 048
  • Nhg Exh 2021 Bwah View 043
  • Nhg Exh 2021 Bwah View 044
  • Nhg Exh 2021 Bwah View 045
  • Nhg Exh 2021 Bwah View 047
  • Nhg Exh 2021 Bwah View 046
  • Nhg Exh 2021 Bwah View 054
  • Nhg Exh 2021 Bwah View 052
  • Nhg Exh 2021 Bwah View 049
  • Nhg Exh 2021 Bwah View 053
Video

Busy Work at Home, April 10 - May 29, 2021 from NHG on Vimeo.

Related Artists

  • Toru Otani

    Toru Otani

  • Tomohisa Obana

    Tomohisa Obana

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Artist Exhibited:

Kiyoshi Awazu
Miho Dohi

Koichi Enomoto

Daisuke Fukunaga

Shuzo Kazuchi Gulliver

Mitsutoshi Hanaga

Shigeru Hasegawa

Tatsumi Hijikata
Naotaka Hiro

Takashi Homma
Eikoh Hosoe

Kyoko Idetsu

Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata

Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima

Jiro Nagase

Tomohisa Obana

Tomoko Obana

Toru Otani

Kaz Oshiro
Sterling Ruby

Trevor Shimizu

Megumi Shinozaki

Kenzi Shiokava

Michael E. Smith

Hiroshi Sugito

Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga

Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga

 

Exhibitions:

-2025- 

KEY HIRAGA: The Elegant Life of Mr. H

We Like Us

SAWAKO GODA

TAKESHI HONDA • TOMOKO OBANA

-2024-

JIRO NAGASE

ULALA IMAI: ARCADIA

MIHO DOHI

KYOKO IDETSU: What can an ideology do for me?

KENTARO KAWABATA / BRUCE NAUMAN

SHINJIRO OKAMOTO: TALKATIVE

SAORI (MADOKORO) AKUTAGAWA: CENTENARIA

Keita Matsunaga : Accumulation Flow

-2023-

NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan

TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies

TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda

Sanya Kantarovsky: TO PRISON – with selections from Tatsumi Hijikata The Last Butoh, Photographs by Yasuo Kuroda

Kiyomizu Rokubey VIII: CERAMIC SIGHT

Megumi Shinozaki: Now/Then

Kenzi Shiokava

Kokuta Suda: Okukō 憶劫

Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones

Kazuo Kadonaga

SHUZO AZUCHI GULLIVER  ‘Synogenesis’

- 2022 -

Koichi Enomoto: Against the day

Shigeru Hasegawa: painting

Tatsuo Ikeda / Michael E. Smith

Hiroshi Sugito: the garden with Zenzaburo Kojima

Zenzaburo Kojima: This very green

Tomoko Obana and Toru Otani

Tomohisa Obana: To see the rainbow at night, I must make it myself

Daisuke Fukunaga: Beautiful Work

not titled not Untitled

- 2021 -

Kentaro Kawabata: 凸凹 Bumpy

Natsuyasumi: In the Beginning Was Love

Takashi Homma: mushrooms from the forest

Busy Work at Home

Ulala Imai: AMAZING

– 2020 –

Hosai Matsubayashi XVI & Trevor Shimizu

Megumi Shinozaki: PAPER EDEN

Sterling Ruby and Masaomi Yasunaga

Kaz Oshiro: 96375

Sofu Teshigahara

– 2019 –

Keita Matsunaga

A show about an architectural monograph

Tatsumi Hijikata

Eikoh Hosoe

Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama

– 2018 –

Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass

Kimiyo Mishima: Paintings

Shomei Tomatsu: Plastics

Press:

 -2025-

Artillery Magazine, Sawako Goda 

-2024-

Artsy, Nonaka-Hill

Richesse, Nonaka-Hill Kyoto

Bijutsutecho, Nonaka-Hill Kyoto

The Art Newspaper, Nonaka-Hill Kyoto

Meer, Kyoko Idetsu

Bijyutsutecho, Masaomi Yasunaga

Switch, Masaomi Yasunaga

ARTnews JAPAN, Masaomi Yasunaga

Richesse, Masaomi Yasunaga

Art Basel,  Daisuke Fukunaga, Imai Ulala

Art Basel, Kazuo Kadonaga, Sofu Teshigahara 

-2023-

ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata

e-flux, Sanya Kantarofsky, Yasuo Kuroda

Los Angeles Times, Kenzi Shiokava

Artillery, Masaomi Yasunaga

Contemporary Art Daily Shuzo Azuchi Gulliver

- 2022 -

Contemporary Art Daily, Tomohisa Obana

ARTE FUSE, Daisuke Fukunaga

Contemporary Art Daily, Daisuke Fukunaga

Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga

What's on Los Angeles, Daisuke Fukunaga

Hyperallergic, Daisuke Fukunaga

Artillery, Kentaro Kawabata
Larchmont Buzz, Kentaro Kawabata

- 2021 -

Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love

Art Viewer, Takashi Homma

Hyperallergic, Busy Work at Home

Art Viewer, Busy Work at Home

Hyperallergic, Ulala Imai

Contemporary Art Review Los Angeles (Carla), Ulala Imai

Contemporary Art Daily, Ulala Imai

artillery, Ulala Imai

Special Ops, Ulala Imai

Art Viewer, Ulala Imai

artillery, Matsubayashi & Trevor Shimizu

– 2020 –

Ceramic Now, Sterling Ryby and Masaomi Yasunaga

Hypebeast, Sterling Ryby and Masaomi Yasunaga

Art Viewer, Sterling Ruby and Masaomi Yasunaga

Air Mail, Sterling Ruby and Masaomi Yasunaga

Los Angeles Times, Kaz Oshiro 

ArtnowLA, Kaz Oshiro

What's on Los Angeles, Kaz Oshiro

KCRW, Kaz Oshiro

Tique, Kaz Oshiro

Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga

 – 2019 –

Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review  Los Angeles, Tatsumi Hijikata, Eikoh Hosoe

ArtAsiaPacific, Yutaka Matsuzawa

Los Angeles Times, Tatsumi Hijikata

AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill

ARTFORUM, Takuro Tamayama, Tiger Tateishi

Art Viewer, Takuro Tamayama, Tiger Tateishi

KCRW, Nonaka-Hill

LA WEEKLY, Nonaka-Hill

AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi

ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito

Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga

KQED, Tadaaki Kuwayama, Rakuko Naito

Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Los Angeles Times, Miho Dohi

Los Angeles Review of Books, Miho Dohi

Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Art Viewer, Miho Dohi

Art & Object, Parergon

COOL HUNTING, Felix Art Fair

Art Viewer, Tadaaki Kuwayama

artnet news, Nonaka-Hill

Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama 
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu

 

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