Kansuke Yamamoto: A discussion with John Solt


Nonaka-Hill and PAC•LA was pleased to present a morning discussion with Dr. John Solt on Saturday, November 3rd.

John Solt is a poet, award-winning translator and scholar specialized in Japanese Surrealism and avant-garde poetry.  He is associate-in-research at the Edwin O. Reischaur Institute of Japanese Studies at Harvard University and he was poet-in-residence at Vajiravidh College in Bangkok.  In 1998, Solt produced the video “Glass Wind: Kansuke, Kit-Kat and Kazuo”, which includes the only remaining 8mm films by Kansuke Yamamoto.  Solt was responsible for bringing the photographic work of Kansuke Yamamoto to the attention of the Tokyo Station Gallery, which led to the major exhibition “Surrealist Kansuke Yamamoto” (YouTube), co-curated with Ryuichi Kaneko, and contributed to the accompanying monograph “YAMAMOTO Kansuke: Conveyor of the Impossible”.  Solt was a contributor to Getty Museum’s 2013 exhibition and catalogue, “Japan’s Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto”.  


John Solt authored “Shredding the Tapestry of Meaning: The Poetry and Poetics of Kitasono Katue” (Harvard University Asia Center, 1999).   A frequent collaborator of Yamamoto’s, Katue’s work was subject of the solo exhibition “Kitasono Katue: Surrealist Poet” at LACMA in 2013, to which Solt contributed to significantly.  (LACMA video).  


At our Photographic Arts Council event, Solt discussed his relationship with Kansuke Yamamoto, described the times in which Yamamoto and his peers worked to advance avant-garde thought in Japan.  He read Yamamoto’s poetry, and one of his own:



Yamamoto Kansuke: Conveyor of the Impossible


he saw through the prism

of his one cracked eye



and took us behind a mirror

merging dreams with non-dreams



his collages of positives and negatives

glimpse the world of ghosts



boats float along underwater breasts

the sun eye sets on the horizon



his swirling face with umbrella in hand

in a rain-soaked room in underwear



day by day incrementally

he unraveled illusions 



a bed hangs in the sky like a cloud

inviting us to roll over and awaken



⁃poem by John Solt



Special thanks to John Solt, Gloria Katz, Willard Huyck and PAC guests who attended.



TWO x TWO for AIDS and Art  Benefit auction including work by Kazuo Kadonaga

 

The 20th Anniversary of

TWO x TWO for AIDS and Art 

Benefit auction including work by Kazuo Kadonaga


Saturday, October 27, 2018
The Rachofsky House, Dallas, Texas

View the Auction Catalogue

Each living thing, plant or animal, has a soul: my art is revealing the soul. – Kazuo Kadonaga


When Kazuo Kadonaga began making art in the early 1970s, he turned to a familiar material: wood. Kadonaga’s family ran a lumber mill, and the material and craft associated with it are certainly familiar to him. Yet, rather than alter the material for commercial use, Kadonaga set out to reveal its essence with minimal artistic intervention. In Wood No. 11 BK, Kadonaga cuts a grid of lines in one end of a cedar log. As the wood responds to Kadonaga’s suggested grid, it splits in ways that reveal the inherent properties of the material, seen in the shifting lines that travel the length of the drying wood. The result is a kind of quiet conversation between Kadonaga and the cedar log. Kadonaga’s work has been exhibited internationally and is in numerous public collections in the US and Japan.

Kazuo Kadonaga: Production video for Glass No. 7 series

 

© Kazuo Kadonaga

 

 

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