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Hiroshi Sugito: the garden with Zenzaburo Kojima

Past exhibition
September 17 - October 22, 2022
  • Overview
  • Works
  • Installation Views
  • Related Artists

Hiroshi Sugito: the garden with Zenzaburo Kojima

Past exhibition
September 17 - October 22, 2022
  • Overview
  • Works
  • Installation Views
  • Related Artists
Overview
Hiroshi Sugito, the garden with Zenzaburo Kojima

Nonaka-Hill is pleased to present “the garden”, an exhibition of recent paintings by Hiroshi Sugito (b. 1970). The presentation marks the artist’s first solo exhibition with Nonaka-Hill and his ninth solo exhibition in Los Angeles. For the occasion, the artist has incorporated Japanese garden paintings by legendary artist, Zenzaburo Kojima.

 

Over decades, Hiroshi Sugito has been renowned for atmospheric paintings which evolve from Nihon-ga, the Japanese-style painting traditions in which he first trained. Spaces and objects were depicted in conflicting scales, often causing a viewer to question their own vantage point, or perhaps vantage points. While European early Modern painters drew inspiration from the flatness of traditional Japanese imagery to create masterpieces of Western Painting, it was Cubism which problematized questions of vantage point(s). Such painter’s problems and pursuits are the genesis of Sugito’s modest scaled paintings which utilize decorative vintage frames as tools in his process of composing his images, advancing from the emphasis on “line” which is intrinsic with Nihon-ga to incorporate shadow which is a hallmark of Yō-ga, or Western painting.

 

By adding and removing the frame, or frames, while composing the painting, Sugito contemplates not only the pictorial concerns that he shares with artists of all generations, but also the many other dynamics of how painting may exist in culture. For this exhibition, Sugito removed the ornate frames which had been added to Zenzaburo Kojima’s paintings of Japanese gardens, presenting them in the Modern unframed style. In contrast, Sugito’s paintings are shown in the vintage frames which were intrinsic to his process of finding his painting image.

 

Hiroshi Sugito was born in 1970 in Aichi prefecture, Japan. He graduated from the Department of Japanese Painting, Faculty of Arts, Aichi Prefectural College of Arts in 1992. He is currently Associate Professor of the Department of Painting, Faculty of Fine Arts, Tokyo University of the Arts. He has exhibited extensively both in Japan and internationally since the 1990s.

 

His major solo exhibitions include “FOCUS” (Modern Art Museum of Fort Worth, Texas, USA, 2006), “prime and foundation” (Miyagi Museum of Art, Miyagi, Japan, 2015), “frame and refrain” (Musée Bernard Buffet, Shizuoka, Japan, 2015), ”particles and release” (Toyota Municipal Museum of Art, Aichi, Japan, 2016), and “Hiroshi Sugito module or lacuna” (Tokyo Metropolitan Art Museum, 2017). He has also held eight solo exhibitions at Marc Foxx Gallery in Los Angeles.

 

His Significant group exhibitions include “Winter Garden:The Exploration of the Micropop Imagination in Contemporary Japanese Art” (curated by Midori Matsui, Hara Museum of Contemporary Art, Tokyo, Japan, 2009; traveled to Japanisches Kulturinstitut, Cologne, Germany, 2009 / The Japan Foundation, Tronto, Tronto, Canada, 2010 / Galeri’a Arnold Belkin, Museo Universitario del Chopo、Mexico City, Mexico, 2011), “Garden of painting – Japanese Art of the 00s” (The National Museum of Art, Osaka, Japan, 2010), and “Logical Emotion – Contemporary Art from Japan” (Museum Haus Konstruktiv, Zurich, Switzerland, 2014; traveled to Museum of Contemporary Art in Krakow MOCAK, Krakow, Poland, 2015 / Kunstmuseum Moritzburg Halle (Saale), Halle, Germany, 2015) among many others.

 

 

Please also visit:

Zenzaburo Kojima
This very green

at Nonaka-Hill, Melrose
6917 Melrose Avenue, Los Angeles

Works
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 21 1/4 x 24 x 2 3/8 in 54 x 61 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 21 1/4 x 24 x 2 3/8 in
    54 x 61 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 21 1/4 x 24 3/8 x 2 3/8 in 54 x 62 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 21 1/4 x 24 3/8 x 2 3/8 in
    54 x 62 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 20 1/2 x 24 3/4 x 2 3/8 in 52 x 63 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 20 1/2 x 24 3/4 x 2 3/8 in
    52 x 63 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 21 1/4 x 24 x 2 3/8 in 54 x 61 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 21 1/4 x 24 x 2 3/8 in
    54 x 61 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 22 1/2 x 24 x 2 3/8 in 57 x 61 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 22 1/2 x 24 x 2 3/8 in
    57 x 61 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 20 1/2 x 23 5/8 x 2 3/8 in 52 x 60 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 20 1/2 x 23 5/8 x 2 3/8 in
    52 x 60 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oli on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 24 1/4 x 23 1/4 x 2 3/8 in 61.5 x 59 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oli on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 24 1/4 x 23 1/4 x 2 3/8 in
    61.5 x 59 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 20 1/4 x 23 1/4 x 2 3/4 in 51.5 x 59 x 7 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 20 1/4 x 23 1/4 x 2 3/4 in
    51.5 x 59 x 7 cm
  • Hiroshi Sugito untitled, 2022 Oli on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 20 1/8 x 23 1/4 x 2 3/8 in 51 x 59 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oli on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 20 1/8 x 23 1/4 x 2 3/8 in
    51 x 59 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 15 x 17 7/8 in 38 x 45.5 cm Framed: 21 1/4 x 24 x 2 3/8 in 54 x 61 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    15 x 17 7/8 in
    38 x 45.5 cm
    Framed: 21 1/4 x 24 x 2 3/8 in
    54 x 61 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 12 5/8 x 16 1/8 in 32 x 41 cm Framed: 18 1/8 x 21 5/8 x 2 3/8 in 46 x 55 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    12 5/8 x 16 1/8 in
    32 x 41 cm
    Framed: 18 1/8 x 21 5/8 x 2 3/8 in
    46 x 55 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 12 5/8 x 16 1/8 in 32 x 41 cm Framed: 17 7/8 x 21 5/8 x 2 3/8 in 45.5 x 55 x 6 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    12 5/8 x 16 1/8 in
    32 x 41 cm
    Framed: 17 7/8 x 21 5/8 x 2 3/8 in
    45.5 x 55 x 6 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 12 5/8 x 16 1/8 in 32 x 41 cm Framed: 19 1/4 x 22 7/8 x 2 3/4 in 49 x 58 x 7 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    12 5/8 x 16 1/8 in
    32 x 41 cm
    Framed: 19 1/4 x 22 7/8 x 2 3/4 in
    49 x 58 x 7 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 12 5/8 x 16 1/8 in 32 x 41 cm Framed: 18 1/4 x 21 5/8 x 2 3/4 in 46.5 x 55 x 7 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    12 5/8 x 16 1/8 in
    32 x 41 cm
    Framed: 18 1/4 x 21 5/8 x 2 3/4 in
    46.5 x 55 x 7 cm
  • Hiroshi Sugito untitled, 2022 Oil on canvas 12 5/8 x 16 1/4 in 32.1 x 41.3 cm Framed: 19 1/8 x 22 5/8 in 48.6 x 57.5 cm
    Hiroshi Sugito
    untitled, 2022
    Oil on canvas
    12 5/8 x 16 1/4 in
    32.1 x 41.3 cm
    Framed: 19 1/8 x 22 5/8 in
    48.6 x 57.5 cm
  • Zenzaburo Kojima 赤松の丘 Red Pines on the Hill, 1934 Oil on canvas 24 x 28 3/4 in (60.8 x 73 cm) 31 1/2 x 36 1/4 x 1 1/2 in framed (80 x 92.1 x 3.8 cm framed)
    Zenzaburo Kojima
    赤松の丘 Red Pines on the Hill, 1934
    Oil on canvas
    24 x 28 3/4 in (60.8 x 73 cm)
    31 1/2 x 36 1/4 x 1 1/2 in framed (80 x 92.1 x 3.8 cm framed)
  • Zenzaburo Kojima 朝の庭 Morning Fields, 1933 Oil on canvas 17 7/8 x 20 7/8 in (45.5 x 53 cm) 25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
    Zenzaburo Kojima
    朝の庭 Morning Fields, 1933
    Oil on canvas
    17 7/8 x 20 7/8 in (45.5 x 53 cm)
    25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
  • Zenzaburo Kojima 初秋 Early Fall, 1933 Oil on canvas 17 7/8 x 23 7/8 in 45.5 x 60.6 cm
    Zenzaburo Kojima
    初秋 Early Fall, 1933
    Oil on canvas
    17 7/8 x 23 7/8 in
    45.5 x 60.6 cm
  • Zenzaburo Kojima 秋日 Autumn Day, 1941 Oil on canvas 17 7/8 x 20 7/8 in (45.5 x 53 cm) 25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
    Zenzaburo Kojima
    秋日 Autumn Day, 1941
    Oil on canvas
    17 7/8 x 20 7/8 in (45.5 x 53 cm)
    25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
  • Zenzaburo Kojima 雪後 After the Snow, 1934 Oil on canvas 19 3/4 x 25 5/8 in 50 x 65 cm
    Zenzaburo Kojima
    雪後 After the Snow, 1934
    Oil on canvas
    19 3/4 x 25 5/8 in
    50 x 65 cm
Installation Views
  • Hirsug Exh 2022 Nhg 08 Dsc6359
  • Hirsug Exh 2022 Nhg 07 Dsc6388
  • Hirsug Exh 2022 Nhg 10 Dsc6365
  • Hirsug Exh 2022 Nhg 11 Dsc6369
  • Hirsug Exh 2022 Nhg 12 Dsc6366
  • Hirsug Exh 2022 Nhg 01 Dsc6370
  • Hirsug Exh 2022 Nhg 03 Dsc6374
  • Hirsug Exh 2022 Nhg 06 Dsc6387
  • Hirsug Exh 2022 Nhg 04 Dsc6372
  • Hirsug Exh 2022 Nhg 02 Dsc6371
  • Hirsug Exh 2022 Nhg 13 Dsc6383
  • Hirsug Exh 2022 Nhg 17 Dsc6386
  • Hirsug Exh 2022 Nhg 09 Dsc6361
  • Hirsug Exh 2022 Nhg 15 Dsc6382
  • Hirsug Exh 2022 Nhg 16 Dsc6377
  • Hirsug Exh 2022 Nhg 20 Dsc6397
  • Hirsug Exh 2022 Nhg 14 Dsc6376
  • Hirsug Exh 2022 Nhg 18 Dsc6378
  • Hirsug Exh 2022 Nhg 19 Dsc6395
  • Hirsug Exh 2022 Nhg 21 Dsc6394
  • Hirsug Exh 2022 Nhg 22 Dsc6380
  • Hirsug Exh 2022 Nhg 23 Dsc6392
  • Hirsug Exh 2022 Nhg 08 Dsc6359
  • Hirsug Exh 2022 Nhg 07 Dsc6388
  • Hirsug Exh 2022 Nhg 10 Dsc6365
  • Hirsug Exh 2022 Nhg 11 Dsc6369
  • Hirsug Exh 2022 Nhg 12 Dsc6366
  • Hirsug Exh 2022 Nhg 01 Dsc6370
  • Hirsug Exh 2022 Nhg 03 Dsc6374
  • Hirsug Exh 2022 Nhg 06 Dsc6387
  • Hirsug Exh 2022 Nhg 04 Dsc6372
  • Hirsug Exh 2022 Nhg 02 Dsc6371
  • Hirsug Exh 2022 Nhg 13 Dsc6383
  • Hirsug Exh 2022 Nhg 17 Dsc6386
  • Hirsug Exh 2022 Nhg 09 Dsc6361
  • Hirsug Exh 2022 Nhg 15 Dsc6382
  • Hirsug Exh 2022 Nhg 16 Dsc6377
  • Hirsug Exh 2022 Nhg 20 Dsc6397
  • Hirsug Exh 2022 Nhg 14 Dsc6376
  • Hirsug Exh 2022 Nhg 18 Dsc6378
  • Hirsug Exh 2022 Nhg 19 Dsc6395
  • Hirsug Exh 2022 Nhg 21 Dsc6394
  • Hirsug Exh 2022 Nhg 22 Dsc6380
  • Hirsug Exh 2022 Nhg 23 Dsc6392

Related Artists

  • Zenzabuo Kojima

    Zenzabuo Kojima

  • Hiroshi Sugito

    Hiroshi Sugito

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Artist Exhibited:

Kiyoshi Awazu
Miho Dohi

Koichi Enomoto

Daisuke Fukunaga

Shuzo Kazuchi Gulliver

Mitsutoshi Hanaga

Shigeru Hasegawa

Tatsumi Hijikata
Naotaka Hiro

Takashi Homma
Eikoh Hosoe

Kyoko Idetsu

Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata

Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima

Jiro Nagase

Tomohisa Obana

Tomoko Obana

Toru Otani

Kaz Oshiro
Sterling Ruby

Trevor Shimizu

Megumi Shinozaki

Kenzi Shiokava

Michael E. Smith

Hiroshi Sugito

Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga

Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga

 

Exhibitions:

-2025- 

KEY HIRAGA: The Elegant Life of Mr. H

We Like Us

SAWAKO GODA

TAKESHI HONDA • TOMOKO OBANA

-2024-

JIRO NAGASE

ULALA IMAI: ARCADIA

MIHO DOHI

KYOKO IDETSU: What can an ideology do for me?

KENTARO KAWABATA / BRUCE NAUMAN

SHINJIRO OKAMOTO: TALKATIVE

SAORI (MADOKORO) AKUTAGAWA: CENTENARIA

Keita Matsunaga : Accumulation Flow

-2023-

NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan

TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies

TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda

Sanya Kantarovsky: TO PRISON – with selections from Tatsumi Hijikata The Last Butoh, Photographs by Yasuo Kuroda

Kiyomizu Rokubey VIII: CERAMIC SIGHT

Megumi Shinozaki: Now/Then

Kenzi Shiokava

Kokuta Suda: Okukō 憶劫

Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones

Kazuo Kadonaga

SHUZO AZUCHI GULLIVER  ‘Synogenesis’

- 2022 -

Koichi Enomoto: Against the day

Shigeru Hasegawa: painting

Tatsuo Ikeda / Michael E. Smith

Hiroshi Sugito: the garden with Zenzaburo Kojima

Zenzaburo Kojima: This very green

Tomoko Obana and Toru Otani

Tomohisa Obana: To see the rainbow at night, I must make it myself

Daisuke Fukunaga: Beautiful Work

not titled not Untitled

- 2021 -

Kentaro Kawabata: 凸凹 Bumpy

Natsuyasumi: In the Beginning Was Love

Takashi Homma: mushrooms from the forest

Busy Work at Home

Ulala Imai: AMAZING

– 2020 –

Hosai Matsubayashi XVI & Trevor Shimizu

Megumi Shinozaki: PAPER EDEN

Sterling Ruby and Masaomi Yasunaga

Kaz Oshiro: 96375

Sofu Teshigahara

– 2019 –

Keita Matsunaga

A show about an architectural monograph

Tatsumi Hijikata

Eikoh Hosoe

Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama

– 2018 –

Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass

Kimiyo Mishima: Paintings

Shomei Tomatsu: Plastics

Press:

 -2025-

Artillery Magazine, Sawako Goda 

-2024-

Artsy, Nonaka-Hill

Richesse, Nonaka-Hill Kyoto

Bijutsutecho, Nonaka-Hill Kyoto

The Art Newspaper, Nonaka-Hill Kyoto

Meer, Kyoko Idetsu

Bijyutsutecho, Masaomi Yasunaga

Switch, Masaomi Yasunaga

ARTnews JAPAN, Masaomi Yasunaga

Richesse, Masaomi Yasunaga

Art Basel,  Daisuke Fukunaga, Imai Ulala

Art Basel, Kazuo Kadonaga, Sofu Teshigahara 

-2023-

ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata

e-flux, Sanya Kantarofsky, Yasuo Kuroda

Los Angeles Times, Kenzi Shiokava

Artillery, Masaomi Yasunaga

Contemporary Art Daily Shuzo Azuchi Gulliver

- 2022 -

Contemporary Art Daily, Tomohisa Obana

ARTE FUSE, Daisuke Fukunaga

Contemporary Art Daily, Daisuke Fukunaga

Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga

What's on Los Angeles, Daisuke Fukunaga

Hyperallergic, Daisuke Fukunaga

Artillery, Kentaro Kawabata
Larchmont Buzz, Kentaro Kawabata

- 2021 -

Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love

Art Viewer, Takashi Homma

Hyperallergic, Busy Work at Home

Art Viewer, Busy Work at Home

Hyperallergic, Ulala Imai

Contemporary Art Review Los Angeles (Carla), Ulala Imai

Contemporary Art Daily, Ulala Imai

artillery, Ulala Imai

Special Ops, Ulala Imai

Art Viewer, Ulala Imai

artillery, Matsubayashi & Trevor Shimizu

– 2020 –

Ceramic Now, Sterling Ryby and Masaomi Yasunaga

Hypebeast, Sterling Ryby and Masaomi Yasunaga

Art Viewer, Sterling Ruby and Masaomi Yasunaga

Air Mail, Sterling Ruby and Masaomi Yasunaga

Los Angeles Times, Kaz Oshiro 

ArtnowLA, Kaz Oshiro

What's on Los Angeles, Kaz Oshiro

KCRW, Kaz Oshiro

Tique, Kaz Oshiro

Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga

 – 2019 –

Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review  Los Angeles, Tatsumi Hijikata, Eikoh Hosoe

ArtAsiaPacific, Yutaka Matsuzawa

Los Angeles Times, Tatsumi Hijikata

AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill

ARTFORUM, Takuro Tamayama, Tiger Tateishi

Art Viewer, Takuro Tamayama, Tiger Tateishi

KCRW, Nonaka-Hill

LA WEEKLY, Nonaka-Hill

AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi

ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito

Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga

KQED, Tadaaki Kuwayama, Rakuko Naito

Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Los Angeles Times, Miho Dohi

Los Angeles Review of Books, Miho Dohi

Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Art Viewer, Miho Dohi

Art & Object, Parergon

COOL HUNTING, Felix Art Fair

Art Viewer, Tadaaki Kuwayama

artnet news, Nonaka-Hill

Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama 
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu

 

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