Zenzaburo Kojima: This very green
28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed)
This very green, an exhibition of paintings by Zenzaburo Kojima (1893-1961) marks the artist’s first solo exhibition outside of his native Japan and inaugurates Nonaka-Hill, Melrose, located at 6917 Melrose Avenue, Los Angeles.
Kojima's wholly unique genre paintings are historic within the development of Western-style painting in Japan known as Yō-ga. Embodying the new globalizing pursuits of Japan’s Meiji and Taisho Eras of his youth, Kojima’s alternately spare and gestural paintings were often painted in plein-air to capture what the artist called ‘eternal life,’ a transcendence from observed reality and the individual’s subjective experience of nature; “The kind of art that we strive to create today must embody the middle way, in which the material and spiritual are merged into one…It must arise from realism (shajitsu) and yet transcend realism.” — Zenzaburo Kojima, 1935
Works for the exhibition, produced between 1930 and 1960, were selected from the Estate of Zenzaburo Kojima in collaboration with artist Hiroshi Sugito, who has incorporated selected Kojima paintings into his solo exhibition “Hiroshi Sugito: the garden” on view concurrently at Nonaka-Hill, Highland.
To honor the 130th anniversary of Zenzaburo Kojima’s birth, the Fukuoka Prefectural Museum of Art will mount a major survey exhibition in 2023. In 2022, the second volume of his catalog raisonné was published by the artist’s grandson, Toshio Kojima. Kojima’s solo exhibitions include the National Museum of Modern Art, Tokyo, traveling to The Annex Museum of the National Museum of Modern Art (1964); Fukuoka Art Museum (1993, 2012); The Shoto Museum of Art (1998); Fuchu Art Museum (2007).
Please also visit:
Hiroshi Sugito
the garden
with Zenzaburo Kojima
at Nonaka-Hill, Highland
720 North Highland Avenue, Los Angeles
- Zenzaburo Kojima向こうの丘 The Hill Over Yonder, 1930-1932Oil on canvas20 7/8 x 17 7/8 in (53 x 45.5 cm)
28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed) - Zenzaburo Kojima朝の庭 Morning Fields, 1933Oil on canvas17 7/8 x 20 7/8 in (45.5 x 53 cm)
25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed) - Zenzaburo Kojima初秋 Early Fall, 1933Oil on canvas17 7/8 x 23 7/8 in
45.5 x 60.6 cm - Zenzaburo Kojima秋晴 Clear Fall Day, 1939Oil on canvas17 7/8 x 20 7/8 in (45.5 x 53 cm)
25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed) - Zenzaburo Kojima冬の白田 Winter Field, 1936Oil on canvas17 7/8 x 20 7/8 in
45.5 x 53 cm - Zenzaburo Kojimaビーチ・パラソール Beach Umbrellas, 1932Oil on canvas9 3/8 x 13 in
23.7 x 33 cm - Zenzaburo Kojima木のある裸婦 Nude With Tree, 1932Oil on canvas38 1/4 x 63 7/8 in
97 x 162.1 cm - Zenzaburo Kojima松籟 Rustling Pines, 1938Oil on canvas23 3/4 x 17 7/8 in
60.4 x 45.4 cm - Zenzaburo Kojima椿 Camelias, 1955Oil on canvas20 7/8 x 17 7/8 in (53 x 45.3 cm)
28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed) - Zenzaburo Kojima海 The Sea, 1940Oil on canvas19 5/8 x 23 7/8 in
49.9 x 60.7 cm - Zenzaburo Kojima熱海 Atami, 1960Oil on canvas17 7/8 x 20 7/8 in
45.5 x 53 cm - Zenzaburo Kojima秋日 Autumn Day, 1941Oil on canvas17 7/8 x 20 7/8 in (45.5 x 53 cm)
25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed) - Zenzaburo Kojima雪後 After the Snow, 1934Oil on canvas19 3/4 x 25 5/8 in
50 x 65 cm - Zenzaburo KojimaField Poppies (Unfinished), 1950Oil on canvas23 7/8 x 19 7/8 in
60.7 x 50.5 cm - Zenzaburo Kojima薔薇 Roses, 1949Oil on canvas16 1/8 x 12 1/2 in
41 x 31.8 cm - Zenzaburo Kojima赤松の丘 Red Pines on the Hill, 1934Oil on canvas24 x 28 3/4 in (60.8 x 73 cm)
31 1/2 x 36 1/4 x 1 1/2 in framed (80 x 92.1 x 3.8 cm framed) - Zenzaburo Kojima高原 (部分) Highland Valley (one section), 1952Oil on canvas16 3/4 x 20 7/8 in
42.5 x 53 cm
Related artist
Artist Exhibited:
Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata
Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima
Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga
Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga
Exhibitions:
-2025-
-2024-
KYOKO IDETSU: What can an ideology do for me?
KENTARO KAWABATA / BRUCE NAUMAN
SAORI (MADOKORO) AKUTAGAWA: CENTENARIA
Keita Matsunaga : Accumulation Flow
-2023-
NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan
TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies
TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda
Kiyomizu Rokubey VIII: CERAMIC SIGHT
Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones
SHUZO AZUCHI GULLIVER ‘Synogenesis’
Koichi Enomoto: Against the day
Tatsuo Ikeda / Michael E. Smith
Hiroshi Sugito: the garden with Zenzaburo Kojima
Zenzaburo Kojima: This very green
Tomohisa Obana: To see the rainbow at night, I must make it myself
Daisuke Fukunaga: Beautiful Work
- 2021 -
Natsuyasumi: In the Beginning Was Love
Takashi Homma: mushrooms from the forest
– 2020 –
Hosai Matsubayashi XVI & Trevor Shimizu
Sterling Ruby and Masaomi Yasunaga
– 2019 –
A show about an architectural monograph
Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama
– 2018 –
Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass
Press:
-2025-
Artillery Magazine, Sawako Goda
-2024-
Artsy, Nonaka-Hill
Richesse, Nonaka-Hill Kyoto
Bijutsutecho, Nonaka-Hill Kyoto
The Art Newspaper, Nonaka-Hill Kyoto
Meer, Kyoko Idetsu
Bijyutsutecho, Masaomi Yasunaga
Switch, Masaomi Yasunaga
ARTnews JAPAN, Masaomi Yasunaga
Richesse, Masaomi Yasunaga
Art Basel, Daisuke Fukunaga, Imai Ulala
Art Basel, Kazuo Kadonaga, Sofu Teshigahara
-2023-
ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata
e-flux, Sanya Kantarofsky, Yasuo Kuroda
Los Angeles Times, Kenzi Shiokava
Artillery, Masaomi Yasunaga
Contemporary Art Daily Shuzo Azuchi Gulliver
- 2022 -
Contemporary Art Daily, Tomohisa Obana
ARTE FUSE, Daisuke Fukunaga
Contemporary Art Daily, Daisuke Fukunaga
Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga
What's on Los Angeles, Daisuke Fukunaga
Hyperallergic, Daisuke Fukunaga
Artillery, Kentaro Kawabata
Larchmont Buzz, entaro Kawabata
- 2021 -
Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love
Art Viewer, Takashi Homma
Hyperallergic, Busy Work at Home
Art Viewer, Busy Work at Home
Hyperallergic, Ulala Imai
Contemporary Art Review Los Angeles (Carla), Ulala Imai
Contemporary Art Daily, Ulala Imai
artillery, Ulala Imai
Special Ops, Ulala Imai
Art Viewer, Ulala Imai
artillery, Matsubayashi & Trevor Shimizu
– 2020 –
Ceramic Now, Sterling Ryby and Masaomi Yasunaga
Hypebeast, Sterling Ryby and Masaomi Yasunaga
Art Viewer, Sterling Ruby and Masaomi Yasunaga
Air Mail, Sterling Ruby and Masaomi Yasunaga
Los Angeles Times, Kaz Oshiro
ArtnowLA, Kaz Oshiro
What's on Los Angeles, Kaz Oshiro
KCRW, Kaz Oshiro
Tique, Kaz Oshiro
Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga
– 2019 –
Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review Los Angeles, Tatsumi Hijikata, Eikoh Hosoe
ArtAsiaPacific, Yutaka Matsuzawa
Los Angeles Times, Tatsumi Hijikata
AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill
ARTFORUM, Takuro Tamayama, Tiger Tateishi
Art Viewer, Takuro Tamayama, Tiger Tateishi
KCRW, Nonaka-Hill
LA WEEKLY, Nonaka-Hill
AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi
ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito
Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga
KQED, Tadaaki Kuwayama, Rakuko Naito
Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Los Angeles Times, Miho Dohi
Los Angeles Review of Books, Miho Dohi
Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Art Viewer, Miho Dohi
Art & Object, Parergon
COOL HUNTING, Felix Art Fair
Art Viewer, Tadaaki Kuwayama
artnet news, Nonaka-Hill
Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu
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