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Zenzaburo Kojima: This very green

Past exhibition
September 17 - October 22, 2022
  • Overview
  • Works
  • Installation Views
  • Video
  • Related Artists

Zenzaburo Kojima: This very green

Past exhibition
September 17 - October 22, 2022
  • Overview
  • Works
  • Installation Views
  • Video
  • Related Artists
Overview
Zenzaburo Kojima 向こうの丘 The Hill Over Yonder, 1930-1932 Oil on canvas 20 7/8 x 17 7/8 in (53 x 45.5 cm) 28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed)
Zenzaburo Kojima
向こうの丘 The Hill Over Yonder, 1930-1932
Oil on canvas
20 7/8 x 17 7/8 in (53 x 45.5 cm)
28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed)

This very green, an exhibition of paintings by Zenzaburo Kojima (1893-1961) marks the artist’s first solo exhibition outside of his native Japan and inaugurates Nonaka-Hill, Melrose, located at 6917 Melrose Avenue, Los Angeles.

 

Kojima's wholly unique genre paintings are historic within the development of Western-style painting in Japan known as Yō-ga. Embodying the new globalizing pursuits of Japan’s Meiji and Taisho Eras of his youth, Kojima’s alternately spare and gestural paintings were often painted in plein-air to capture what the artist called ‘eternal life,’ a transcendence from observed reality and the individual’s subjective experience of nature; “The kind of art that we strive to create today must embody the middle way, in which the material and spiritual are merged into one…It must arise from realism (shajitsu) and yet transcend realism.” — Zenzaburo Kojima, 1935

 

Works for the exhibition, produced between 1930 and 1960, were selected from the Estate of Zenzaburo Kojima in collaboration with artist Hiroshi Sugito, who has incorporated selected Kojima paintings into his solo exhibition “Hiroshi Sugito: the garden” on view concurrently at Nonaka-Hill, Highland.

To honor the 130th anniversary of Zenzaburo Kojima’s birth, the Fukuoka Prefectural Museum of Art will mount a major survey exhibition in 2023. In 2022, the second volume of his catalog raisonné was published by the artist’s grandson, Toshio Kojima. Kojima’s solo exhibitions include the National Museum of Modern Art, Tokyo, traveling to The Annex Museum of the National Museum of Modern Art (1964); Fukuoka Art Museum (1993, 2012); The Shoto Museum of Art (1998); Fuchu Art Museum (2007).

 

 

Please also visit:

Hiroshi Sugito
the garden
with Zenzaburo Kojima
at Nonaka-Hill, Highland
720 North Highland Avenue, Los Angeles

Works
  • Zenzaburo Kojima 向こうの丘 The Hill Over Yonder, 1930-1932 Oil on canvas 20 7/8 x 17 7/8 in (53 x 45.5 cm) 28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed)
    Zenzaburo Kojima
    向こうの丘 The Hill Over Yonder, 1930-1932
    Oil on canvas
    20 7/8 x 17 7/8 in (53 x 45.5 cm)
    28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed)
  • Zenzaburo Kojima 朝の庭 Morning Fields, 1933 Oil on canvas 17 7/8 x 20 7/8 in (45.5 x 53 cm) 25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
    Zenzaburo Kojima
    朝の庭 Morning Fields, 1933
    Oil on canvas
    17 7/8 x 20 7/8 in (45.5 x 53 cm)
    25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
  • Zenzaburo Kojima 初秋 Early Fall, 1933 Oil on canvas 17 7/8 x 23 7/8 in 45.5 x 60.6 cm
    Zenzaburo Kojima
    初秋 Early Fall, 1933
    Oil on canvas
    17 7/8 x 23 7/8 in
    45.5 x 60.6 cm
  • Zenzaburo Kojima 秋晴 Clear Fall Day, 1939 Oil on canvas 17 7/8 x 20 7/8 in (45.5 x 53 cm) 25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
    Zenzaburo Kojima
    秋晴 Clear Fall Day, 1939
    Oil on canvas
    17 7/8 x 20 7/8 in (45.5 x 53 cm)
    25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
  • Zenzaburo Kojima 冬の白田 Winter Field, 1936 Oil on canvas 17 7/8 x 20 7/8 in 45.5 x 53 cm
    Zenzaburo Kojima
    冬の白田 Winter Field, 1936
    Oil on canvas
    17 7/8 x 20 7/8 in
    45.5 x 53 cm
  • Zenzaburo Kojima ビーチ・パラソール Beach Umbrellas, 1932 Oil on canvas 9 3/8 x 13 in 23.7 x 33 cm
    Zenzaburo Kojima
    ビーチ・パラソール Beach Umbrellas, 1932
    Oil on canvas
    9 3/8 x 13 in
    23.7 x 33 cm
  • Zenzaburo Kojima 木のある裸婦 Nude With Tree, 1932 Oil on canvas 38 1/4 x 63 7/8 in 97 x 162.1 cm
    Zenzaburo Kojima
    木のある裸婦 Nude With Tree, 1932
    Oil on canvas
    38 1/4 x 63 7/8 in
    97 x 162.1 cm
  • Zenzaburo Kojima 松籟 Rustling Pines, 1938 Oil on canvas 23 3/4 x 17 7/8 in 60.4 x 45.4 cm
    Zenzaburo Kojima
    松籟 Rustling Pines, 1938
    Oil on canvas
    23 3/4 x 17 7/8 in
    60.4 x 45.4 cm
  • Zenzaburo Kojima 椿 Camelias, 1955 Oil on canvas 20 7/8 x 17 7/8 in (53 x 45.3 cm) 28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed)
    Zenzaburo Kojima
    椿 Camelias, 1955
    Oil on canvas
    20 7/8 x 17 7/8 in (53 x 45.3 cm)
    28 1/2 x 25 1/2 x 1 1/2 in framed (72.4 x 64.8 x 3.8 cm framed)
  • Zenzaburo Kojima 海 The Sea, 1940 Oil on canvas 19 5/8 x 23 7/8 in 49.9 x 60.7 cm
    Zenzaburo Kojima
    海 The Sea, 1940
    Oil on canvas
    19 5/8 x 23 7/8 in
    49.9 x 60.7 cm
  • Zenzaburo Kojima 熱海 Atami, 1960 Oil on canvas 17 7/8 x 20 7/8 in 45.5 x 53 cm
    Zenzaburo Kojima
    熱海 Atami, 1960
    Oil on canvas
    17 7/8 x 20 7/8 in
    45.5 x 53 cm
  • Zenzaburo Kojima 秋日 Autumn Day, 1941 Oil on canvas 17 7/8 x 20 7/8 in (45.5 x 53 cm) 25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
    Zenzaburo Kojima
    秋日 Autumn Day, 1941
    Oil on canvas
    17 7/8 x 20 7/8 in (45.5 x 53 cm)
    25 1/2 x 28 1/2 x 1 1/2 in framed (64.8 x 72.4 x 3.8 cm framed)
  • Zenzaburo Kojima 雪後 After the Snow, 1934 Oil on canvas 19 3/4 x 25 5/8 in 50 x 65 cm
    Zenzaburo Kojima
    雪後 After the Snow, 1934
    Oil on canvas
    19 3/4 x 25 5/8 in
    50 x 65 cm
  • Zenzaburo Kojima Field Poppies (Unfinished), 1950 Oil on canvas 23 7/8 x 19 7/8 in 60.7 x 50.5 cm
    Zenzaburo Kojima
    Field Poppies (Unfinished), 1950
    Oil on canvas
    23 7/8 x 19 7/8 in
    60.7 x 50.5 cm
  • Zenzaburo Kojima 薔薇 Roses, 1949 Oil on canvas 16 1/8 x 12 1/2 in 41 x 31.8 cm
    Zenzaburo Kojima
    薔薇 Roses, 1949
    Oil on canvas
    16 1/8 x 12 1/2 in
    41 x 31.8 cm
  • Zenzaburo Kojima 赤松の丘 Red Pines on the Hill, 1934 Oil on canvas 24 x 28 3/4 in (60.8 x 73 cm) 31 1/2 x 36 1/4 x 1 1/2 in framed (80 x 92.1 x 3.8 cm framed)
    Zenzaburo Kojima
    赤松の丘 Red Pines on the Hill, 1934
    Oil on canvas
    24 x 28 3/4 in (60.8 x 73 cm)
    31 1/2 x 36 1/4 x 1 1/2 in framed (80 x 92.1 x 3.8 cm framed)
  • Zenzaburo Kojima 高原 (部分) Highland Valley (one section), 1952 Oil on canvas 16 3/4 x 20 7/8 in 42.5 x 53 cm
    Zenzaburo Kojima
    高原 (部分) Highland Valley (one section), 1952
    Oil on canvas
    16 3/4 x 20 7/8 in
    42.5 x 53 cm
Installation Views
  • Zenkoj Exh 2022 01 Dsc6856
  • Zenkoj Exh 2022 02 Dsc6859
  • Zenkoj Exh 2022 04 Dsc6841
  • Zenkoj Exh 2022 03 Dsc6843
  • Zenkoj Exh 2022 20
  • Zenkoj Exh 2022 19 Dsc6844
  • Zenkoj Exh 2022 18 Dsc6863
  • Zenkoj Exh 2022 05 Dsc6862
  • Zenkoj Exh 2022 06 Dsc6852
  • Zenkoj Exh 2022 07 Dsc6846
  • Zenkoj Exh 2022 10 Dsc6851
  • Zenkoj Exh 2022 12 Dsc6865
  • Zenkoj Exh 2022 11 Dsc6853
  • Zenkoj Exh 2022 13 Dsc6848
  • Zenkoj Exh 2022 09 Dsc6850
  • Zenkoj Exh 2022 14 Dsc6847
  • Zenkoj Exh 2022 08 Dsc6866
  • Zenkoj Exh 2022 15 Dsc6854
  • Zenkoj Exh 2022 21 Dsc6869
  • Zenkoj Exh 2022 01 Dsc6856
  • Zenkoj Exh 2022 02 Dsc6859
  • Zenkoj Exh 2022 04 Dsc6841
  • Zenkoj Exh 2022 03 Dsc6843
  • Zenkoj Exh 2022 20
  • Zenkoj Exh 2022 19 Dsc6844
  • Zenkoj Exh 2022 18 Dsc6863
  • Zenkoj Exh 2022 05 Dsc6862
  • Zenkoj Exh 2022 06 Dsc6852
  • Zenkoj Exh 2022 07 Dsc6846
  • Zenkoj Exh 2022 10 Dsc6851
  • Zenkoj Exh 2022 12 Dsc6865
  • Zenkoj Exh 2022 11 Dsc6853
  • Zenkoj Exh 2022 13 Dsc6848
  • Zenkoj Exh 2022 09 Dsc6850
  • Zenkoj Exh 2022 14 Dsc6847
  • Zenkoj Exh 2022 08 Dsc6866
  • Zenkoj Exh 2022 15 Dsc6854
  • Zenkoj Exh 2022 21 Dsc6869
Video

Related artist

  • Zenzabuo Kojima

    Zenzabuo Kojima

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Artist Exhibited:

Kiyoshi Awazu
Miho Dohi

Koichi Enomoto

Daisuke Fukunaga

Shuzo Kazuchi Gulliver

Mitsutoshi Hanaga

Shigeru Hasegawa

Tatsumi Hijikata
Naotaka Hiro

Takashi Homma
Eikoh Hosoe

Kyoko Idetsu

Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata

Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima

Jiro Nagase

Tomohisa Obana

Tomoko Obana

Toru Otani

Kaz Oshiro
Sterling Ruby

Trevor Shimizu

Megumi Shinozaki

Kenzi Shiokava

Michael E. Smith

Hiroshi Sugito

Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga

Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga

 

Exhibitions:

-2025- 

KEY HIRAGA: The Elegant Life of Mr. H

We Like Us

SAWAKO GODA

TAKESHI HONDA • TOMOKO OBANA

-2024-

JIRO NAGASE

ULALA IMAI: ARCADIA

MIHO DOHI

KYOKO IDETSU: What can an ideology do for me?

KENTARO KAWABATA / BRUCE NAUMAN

SHINJIRO OKAMOTO: TALKATIVE

SAORI (MADOKORO) AKUTAGAWA: CENTENARIA

Keita Matsunaga : Accumulation Flow

-2023-

NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan

TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies

TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda

Sanya Kantarovsky: TO PRISON – with selections from Tatsumi Hijikata The Last Butoh, Photographs by Yasuo Kuroda

Kiyomizu Rokubey VIII: CERAMIC SIGHT

Megumi Shinozaki: Now/Then

Kenzi Shiokava

Kokuta Suda: Okukō 憶劫

Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones

Kazuo Kadonaga

SHUZO AZUCHI GULLIVER  ‘Synogenesis’

- 2022 -

Koichi Enomoto: Against the day

Shigeru Hasegawa: painting

Tatsuo Ikeda / Michael E. Smith

Hiroshi Sugito: the garden with Zenzaburo Kojima

Zenzaburo Kojima: This very green

Tomoko Obana and Toru Otani

Tomohisa Obana: To see the rainbow at night, I must make it myself

Daisuke Fukunaga: Beautiful Work

not titled not Untitled

- 2021 -

Kentaro Kawabata: 凸凹 Bumpy

Natsuyasumi: In the Beginning Was Love

Takashi Homma: mushrooms from the forest

Busy Work at Home

Ulala Imai: AMAZING

– 2020 –

Hosai Matsubayashi XVI & Trevor Shimizu

Megumi Shinozaki: PAPER EDEN

Sterling Ruby and Masaomi Yasunaga

Kaz Oshiro: 96375

Sofu Teshigahara

– 2019 –

Keita Matsunaga

A show about an architectural monograph

Tatsumi Hijikata

Eikoh Hosoe

Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama

– 2018 –

Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass

Kimiyo Mishima: Paintings

Shomei Tomatsu: Plastics

Press:

 -2025-

Artillery Magazine, Sawako Goda 

-2024-

Artsy, Nonaka-Hill

Richesse, Nonaka-Hill Kyoto

Bijutsutecho, Nonaka-Hill Kyoto

The Art Newspaper, Nonaka-Hill Kyoto

Meer, Kyoko Idetsu

Bijyutsutecho, Masaomi Yasunaga

Switch, Masaomi Yasunaga

ARTnews JAPAN, Masaomi Yasunaga

Richesse, Masaomi Yasunaga

Art Basel,  Daisuke Fukunaga, Imai Ulala

Art Basel, Kazuo Kadonaga, Sofu Teshigahara 

-2023-

ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata

e-flux, Sanya Kantarofsky, Yasuo Kuroda

Los Angeles Times, Kenzi Shiokava

Artillery, Masaomi Yasunaga

Contemporary Art Daily Shuzo Azuchi Gulliver

- 2022 -

Contemporary Art Daily, Tomohisa Obana

ARTE FUSE, Daisuke Fukunaga

Contemporary Art Daily, Daisuke Fukunaga

Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga

What's on Los Angeles, Daisuke Fukunaga

Hyperallergic, Daisuke Fukunaga

Artillery, Kentaro Kawabata
Larchmont Buzz, Kentaro Kawabata

- 2021 -

Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love

Art Viewer, Takashi Homma

Hyperallergic, Busy Work at Home

Art Viewer, Busy Work at Home

Hyperallergic, Ulala Imai

Contemporary Art Review Los Angeles (Carla), Ulala Imai

Contemporary Art Daily, Ulala Imai

artillery, Ulala Imai

Special Ops, Ulala Imai

Art Viewer, Ulala Imai

artillery, Matsubayashi & Trevor Shimizu

– 2020 –

Ceramic Now, Sterling Ryby and Masaomi Yasunaga

Hypebeast, Sterling Ryby and Masaomi Yasunaga

Art Viewer, Sterling Ruby and Masaomi Yasunaga

Air Mail, Sterling Ruby and Masaomi Yasunaga

Los Angeles Times, Kaz Oshiro 

ArtnowLA, Kaz Oshiro

What's on Los Angeles, Kaz Oshiro

KCRW, Kaz Oshiro

Tique, Kaz Oshiro

Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga

 – 2019 –

Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review  Los Angeles, Tatsumi Hijikata, Eikoh Hosoe

ArtAsiaPacific, Yutaka Matsuzawa

Los Angeles Times, Tatsumi Hijikata

AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill

ARTFORUM, Takuro Tamayama, Tiger Tateishi

Art Viewer, Takuro Tamayama, Tiger Tateishi

KCRW, Nonaka-Hill

LA WEEKLY, Nonaka-Hill

AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi

ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito

Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga

KQED, Tadaaki Kuwayama, Rakuko Naito

Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Los Angeles Times, Miho Dohi

Los Angeles Review of Books, Miho Dohi

Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi

Art Viewer, Miho Dohi

Art & Object, Parergon

COOL HUNTING, Felix Art Fair

Art Viewer, Tadaaki Kuwayama

artnet news, Nonaka-Hill

Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama 
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu

 

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