Tomoko Obana and Toru Otani
Tomoko Obana and Toru Otani do not know each-other, however their artistic procedures are neighborly, relishing delight in cartographic compositions, found forms and in rich color; earthy to Victorian from the hands of Obana, and from Old World towards Fauve in the hands of Otani.
For her vitrine sculptures, Tomoko Obana collects vintage, industrially produced wares such as water and perfume bottles, jugs, bud vases and more. She makes a mold of these found objects by which she produces one hundred casts; ten each of ten different types of clay slip, kiln fired with various woods, amounting to one-hundred unique “ash glazed” iterations. The artist contemplates the nuances of sooty and dappled surfaces of her objects and settles on arrangements which may, in the Western canon, resemble the paintings of Giorgio Morandi, but which, for the artist, give a nod to the aesthetic disciplines of Japanese Ikebana flower arrangements or dry, rock gardens.
For his mixed-media artworks, Toru Otani collects vintage printed packaging and building materials such as 2x4s, plasterboard and especially, sandpaper. He cuts and assembles these found materials to create the grounds on which he works with various instruments, mainly colored pencils. The artist isolates details of the pre-printed and patterned materials often found on the back-side, chooses what to reveal, what to conceal and what to connect, and settles on compositions which employ a positive / negative space logic with roots in Surrealism.
The paired presentations by Tomoko Obana and Toru Otani mark the first overseas solo exhibition for each artist. Nonaka-Hill has previously exhibited Obana’s work in not titled not untitled and Otani’s work in Busy Work at Home. Both artists live and work in Japan.
Tomoko Obana was born in Kyoto, Japan in 1985. She graduated from Kyoto University of Art and Design, Department of Arts and Crafts. Her works have been exhibited at Gallery Fukka, Tokyo and Gallery Sokyo, Kyoto. She held a one-year residency at the Shigaraki Ceramic Cultural Park.
Toru Otani was born in Kanagawa, Japan in 1988. He received his BFA and MFA from Tokyo University of the Arts. His solo exhibitions include spctrum, imlabor, Tokyo (2020), planet, Kodama Gallery, Tokyo (2017) and Casablanca, Kodama Gallery, Kyoto (2015). Toru Otani’s works are courtesy of XYZ collective.
- Tomoko Obana220712, 2022Ceramic, paper, acrylic.8 3/4 x 19 3/4 x 4 3/4 in
22.1 x 50 x 12 cm - Tomoko Obana200212, 2022Ceramic, paper, acrylic.
(An arrangement of three objects.)10 x 8 1/2 x 16 in
25.4 x 21.6 x 40.6 cm - Tomoko Obana200729, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)13 1/4 x 12 7/8 x 12 7/8 in
33.6 x 32.6 x 32.6 cm - Tomoko Obana200804, 2022Ceramic, paper, acrylic.
(An arrangement of four objects.)6 7/8 x 4 3/4 x 7 7/8 in
17.6 x 12 x 20 cm - Tomoko Obana200828, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)11 1/4 x 11 3/4 x 9 5/8 in
28.5 x 29.8 x 24.4 cm - Tomoko Obana200706, 2022Ceramic, paper, acrylic.
(An arrangement of three objects.)11 1/4 x 9 3/8 x 9 3/8 in
28.5 x 23.8 x 23.8 cm - Tomoko Obana200717, 2022Ceramic, paper, acrylic.
(An arrangement of three objects.)16 3/8 x 8 1/8 x 8 1/8 in
41.6 x 20.6 x 20.6 cm - Tomoko Obana200824, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)12 5/8 x 12 1/4 x 12 1/4 in
32.2 x 31.2 x 31.2 cm - Tomoko Obana220527, 2022Ceramic, paper, acrylic.
(An arrangement of four objects.)7 1/2 x 18 7/8 x 10 1/8 in
19.1 x 48 x 25.5 cm - Tomoko Obana220525, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)12 1/2 x 10 1/4 x 10 1/4 in
31.6 x 26 x 26 cm - Tomoko Obana220523, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)12 x 20 1/2 x 11 3/4 in
30.4 x 52 x 29.8 cm - Tomoko Obana220519, 2022Ceramic, paper, acrylic.
(An arrangement of eleven objects.)9 1/8 x 19 3/4 x 16 1/2 in
23.2 x 50 x 42 cm - Tomoko Obana220517, 2022Ceramic, paper, acrylic.
(An arrangement of seven objects.)12 1/8 x 11 3/4 x 15 3/4 in
30.6 x 30 x 40 cm - Tomoko Obana200807, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)11 1/4 x 22 7/8 x 5 7/8 in
28.6 x 58 x 15 cm - Tomoko Obana220601, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)15 1/4 x 11 1/8 x 11 1/8 in
38.6 x 28 x 28 cm - Tomoko Obana220531, 2022Ceramic, paper, acrylic.
(An arrangement of five objects.)7 3/8 x 18 1/4 x 12 3/8 in
18.6 x 46.5 x 31.5 cm - Tomoko Obana220530, 2022Ceramic, paper, acrylic.
(An arrangement of seven objects.)8 7/8 x 24 3/4 x 13 3/4 in
22.6 x 63 x 35 cm - Tomoko Obana220529, 2022Ceramic, paper, acrylic.
(An arrangement of four objects.)11 5/8 x 11 3/8 x 11 3/8 in
29.6 x 29 x 29 cm - Toru OtaniGame Board for a Game of Unburnable Stones and Tigers, 2015color pencil, plaster board, paint71 5/8 x 71 5/8 in
182 x 182 cm - Toru OtaniHouse, 2022Color pencil on abrasive paper11 x 9 in
27.9 x 22.9 cm - Toru OtaniLogic of Dream, 2015color pencil on dress pattern, mounted on craft paper59 1/8 x 46 7/8 in
150 x 119 cm - Toru OtaniMoon, 2013color pencil on plaster board35 7/8 x 71 5/8 in
91 x 182 cm - Toru OtaniMotor, 2022Color pencil, abrasive paper, ink10 5/8 x 9 1/8 in
27 x 23 cm - Toru OtaniNight Forest, 2022Color pencil, abrasive paper, ink22 1/8 x 18 1/8 in
56 x 46 cm - Toru OtaniOrange Knight, 2015Color pencil on abrasive paper, suite of seven sheets11 1/8 x 63 in
28 x 160 cm - Toru OtaniPipe and fish, 2021Color pencil, abrasive paper, ink14 5/8 x 13 in
37 x 33 cm - Toru OtaniThe Sun, 2020color pencil, paper11 1/8 x 9 1/8 in
28 x 23 cm - Toru OtaniTwo Snakes and Six Suns, 2017color pencil, abrasive paper22 1/8 x 18 1/8 in
56 x 46 cm
Related artists
Artist Exhibited:
Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata
Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima
Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga
Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga
Exhibitions:
-2025-
-2024-
KYOKO IDETSU: What can an ideology do for me?
KENTARO KAWABATA / BRUCE NAUMAN
SAORI (MADOKORO) AKUTAGAWA: CENTENARIA
Keita Matsunaga : Accumulation Flow
-2023-
NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan
TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies
TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda
Kiyomizu Rokubey VIII: CERAMIC SIGHT
Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones
SHUZO AZUCHI GULLIVER ‘Synogenesis’
Koichi Enomoto: Against the day
Tatsuo Ikeda / Michael E. Smith
Hiroshi Sugito: the garden with Zenzaburo Kojima
Zenzaburo Kojima: This very green
Tomohisa Obana: To see the rainbow at night, I must make it myself
Daisuke Fukunaga: Beautiful Work
- 2021 -
Natsuyasumi: In the Beginning Was Love
Takashi Homma: mushrooms from the forest
– 2020 –
Hosai Matsubayashi XVI & Trevor Shimizu
Sterling Ruby and Masaomi Yasunaga
– 2019 –
A show about an architectural monograph
Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama
– 2018 –
Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass
Press:
-2025-
Artillery Magazine, Sawako Goda
-2024-
Artsy, Nonaka-Hill
Richesse, Nonaka-Hill Kyoto
Bijutsutecho, Nonaka-Hill Kyoto
The Art Newspaper, Nonaka-Hill Kyoto
Meer, Kyoko Idetsu
Bijyutsutecho, Masaomi Yasunaga
Switch, Masaomi Yasunaga
ARTnews JAPAN, Masaomi Yasunaga
Richesse, Masaomi Yasunaga
Art Basel, Daisuke Fukunaga, Imai Ulala
Art Basel, Kazuo Kadonaga, Sofu Teshigahara
-2023-
ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata
e-flux, Sanya Kantarofsky, Yasuo Kuroda
Los Angeles Times, Kenzi Shiokava
Artillery, Masaomi Yasunaga
Contemporary Art Daily Shuzo Azuchi Gulliver
- 2022 -
Contemporary Art Daily, Tomohisa Obana
ARTE FUSE, Daisuke Fukunaga
Contemporary Art Daily, Daisuke Fukunaga
Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga
What's on Los Angeles, Daisuke Fukunaga
Hyperallergic, Daisuke Fukunaga
Artillery, Kentaro Kawabata
Larchmont Buzz, entaro Kawabata
- 2021 -
Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love
Art Viewer, Takashi Homma
Hyperallergic, Busy Work at Home
Art Viewer, Busy Work at Home
Hyperallergic, Ulala Imai
Contemporary Art Review Los Angeles (Carla), Ulala Imai
Contemporary Art Daily, Ulala Imai
artillery, Ulala Imai
Special Ops, Ulala Imai
Art Viewer, Ulala Imai
artillery, Matsubayashi & Trevor Shimizu
– 2020 –
Ceramic Now, Sterling Ryby and Masaomi Yasunaga
Hypebeast, Sterling Ryby and Masaomi Yasunaga
Art Viewer, Sterling Ruby and Masaomi Yasunaga
Air Mail, Sterling Ruby and Masaomi Yasunaga
Los Angeles Times, Kaz Oshiro
ArtnowLA, Kaz Oshiro
What's on Los Angeles, Kaz Oshiro
KCRW, Kaz Oshiro
Tique, Kaz Oshiro
Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga
– 2019 –
Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review Los Angeles, Tatsumi Hijikata, Eikoh Hosoe
ArtAsiaPacific, Yutaka Matsuzawa
Los Angeles Times, Tatsumi Hijikata
AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill
ARTFORUM, Takuro Tamayama, Tiger Tateishi
Art Viewer, Takuro Tamayama, Tiger Tateishi
KCRW, Nonaka-Hill
LA WEEKLY, Nonaka-Hill
AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi
ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito
Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga
KQED, Tadaaki Kuwayama, Rakuko Naito
Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Los Angeles Times, Miho Dohi
Los Angeles Review of Books, Miho Dohi
Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Art Viewer, Miho Dohi
Art & Object, Parergon
COOL HUNTING, Felix Art Fair
Art Viewer, Tadaaki Kuwayama
artnet news, Nonaka-Hill
Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu
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