not titled not Untitled
Participating Artists:
Christian Alborz Oldham, Simone Berry, Mel Bochner, Kazuo Kadonaga, Tadaaki Kuwayama, Davora Lindner, Keita Matsunaga, Jiro Nagase, Rakuko Naito, Tomohisa Obana, Tomoko Obana, Helen Sharp, Michele Stuart, Kunié Sugiura, Jiro Takamatsu and Masaomi Yasunaga
“We imprint and are imprints of all that came before” - Michelle Stuart
1962, 1968, 1972, 1983, 1989, 1996, 1999, 2002, 2004, 2008, 2015, 2020, 2021, 2022
Aluminum, galvanized steel, titanium, metal wire, glass, glaze, ceramic tile, clay, slip clay, earth, pigments, plants, flowers, wood, paper, urushi, beeswax, wool, sponge, Plexiglas, vinyl, acrylic, Vaseline, shaving cream, Cibachrome, gelatin silver.
- Kunié SugiuraStack Irises C9 & Stack Irises C9p, 1999Gelatin silver prints, diptych.39 1/2 x 29 1/2 in. ea.
100.3 x 74.9 cm. ea. - Kunié SugiuraStack Irises C7 & Stack Irises C7p, 1999Gelatin silver print39 1/2 x 29 1/2 in.
100.3 x 74.9 cm. - Tomoko Obana200826, 2020Ceramic paper acrylic
(An arrangement of five objects.)10 x 9 7/8 x 9 7/8 in
25.3 x 25.2 x 25.2 cm - Tomoko Obana210812, 2020Ceramic paper acrylic
(An arrangement of nine objects.)10 3/4 x 15 3/8 x 19 7/8 in
27.2 x 39.1 x 50.6 cm - Kazuo KadonagaWood No. 5DH3, 1983Cedar6 3/4 x 8 1/4 x 7 7/8 in
17 x 21 x 20 cm - Kazuo KadonagaGlass No 3 CAs, 2015Glass12.5×7.5×8 in (33×18×20 cm)
35.3lbs (16kg) - Michelle StuartSalina, 1989Earth from site in Arizona, plants, beeswax, pigments33 x 33 in
83.8 x 83.8 cm - Mel BochnerTransparent and Opaque: 2, 1968, printed 1995Suite of four Cibachrome prints, framed.
Edition of 316 x 20 inches
40.6 x 50.8 cms
Framed: 18 x 22 inches
Framed: 45.7 x 55.8 cm - Tomohisa Obana好日 / Good Day, 2020Clay.4 3/8 x 10 1/2 x 8 1/4 in
11 x 26.8 x 21 cm - Jiro TakamatsuOneness of Paper, 1972Ripped paper on paper28 1/4 x 21 in
71.8 x 53.3 cm - Jiro NagaseShibori, 2022Aluminum10 x 11 x 11 in
25.4 x 27.9 x 27.9 cm - Jiro Nagase, MFC Arm rest - Modular Folding Chair,, 2021
- Jiro Nagase, MFC Plain - Modular Folding Chair, 2021
- Jiro Nagase, PAT A partition type A, 2022
- Jiro NagaseUMA A, 2022Aluminum26 3/4 x 25 5/8 in
68 x 65 cm - Jiro NagaseUMA B, 2022Aluminum26 3/4 x 13 3/4 in
68 x 35 cm - Jiro NagaseUMA C, 2022Aluminum13 3/4 x 25 5/8 in
35 x 65 cm - Jiro NagaseBookends F, 2022Aluminum
- Jiro NagaseBookends EAluminum
- Jiro NagaseBookends D, 2022Aluminum
- Jiro NagaseBookends C, 2022Aluminum
- Jiro NagaseBookends B, 2022Aluminum
- Jiro NagaseBookends A, 2022Aluminum
- Tadaaki KuwayamaUntitled, 1962Acrylic on paper on board.18-3/4 x 18-3/4 inches / 47.6 x 47.6 cm
- Rakuko NaitoUntitled, 2002Japanese paper.16 x 16 x 2 inches
- Rakuko NaitoUntitled, 2004Aluminum fine wire.17 x 17 x 3 inches / 43.2 x 43.2 x 7.6 cm
- Rakuko NaitoUntitled, 2016Japanese paper.17 x 17 x 3-1/2 inches
Artist Exhibited:
Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata
Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima
Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga
Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga
Exhibitions:
-2025-
-2024-
KYOKO IDETSU: What can an ideology do for me?
KENTARO KAWABATA / BRUCE NAUMAN
SAORI (MADOKORO) AKUTAGAWA: CENTENARIA
Keita Matsunaga : Accumulation Flow
-2023-
NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan
TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies
TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda
Kiyomizu Rokubey VIII: CERAMIC SIGHT
Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones
SHUZO AZUCHI GULLIVER ‘Synogenesis’
Koichi Enomoto: Against the day
Tatsuo Ikeda / Michael E. Smith
Hiroshi Sugito: the garden with Zenzaburo Kojima
Zenzaburo Kojima: This very green
Tomohisa Obana: To see the rainbow at night, I must make it myself
Daisuke Fukunaga: Beautiful Work
- 2021 -
Natsuyasumi: In the Beginning Was Love
Takashi Homma: mushrooms from the forest
– 2020 –
Hosai Matsubayashi XVI & Trevor Shimizu
Sterling Ruby and Masaomi Yasunaga
– 2019 –
A show about an architectural monograph
Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama
– 2018 –
Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass
Press:
-2025-
Artillery Magazine, Sawako Goda
-2024-
Artsy, Nonaka-Hill
Richesse, Nonaka-Hill Kyoto
Bijutsutecho, Nonaka-Hill Kyoto
The Art Newspaper, Nonaka-Hill Kyoto
Meer, Kyoko Idetsu
Bijyutsutecho, Masaomi Yasunaga
Switch, Masaomi Yasunaga
ARTnews JAPAN, Masaomi Yasunaga
Richesse, Masaomi Yasunaga
Art Basel, Daisuke Fukunaga, Imai Ulala
Art Basel, Kazuo Kadonaga, Sofu Teshigahara
-2023-
ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata
e-flux, Sanya Kantarofsky, Yasuo Kuroda
Los Angeles Times, Kenzi Shiokava
Artillery, Masaomi Yasunaga
Contemporary Art Daily Shuzo Azuchi Gulliver
- 2022 -
Contemporary Art Daily, Tomohisa Obana
ARTE FUSE, Daisuke Fukunaga
Contemporary Art Daily, Daisuke Fukunaga
Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga
What's on Los Angeles, Daisuke Fukunaga
Hyperallergic, Daisuke Fukunaga
Artillery, Kentaro Kawabata
Larchmont Buzz, entaro Kawabata
- 2021 -
Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love
Art Viewer, Takashi Homma
Hyperallergic, Busy Work at Home
Art Viewer, Busy Work at Home
Hyperallergic, Ulala Imai
Contemporary Art Review Los Angeles (Carla), Ulala Imai
Contemporary Art Daily, Ulala Imai
artillery, Ulala Imai
Special Ops, Ulala Imai
Art Viewer, Ulala Imai
artillery, Matsubayashi & Trevor Shimizu
– 2020 –
Ceramic Now, Sterling Ryby and Masaomi Yasunaga
Hypebeast, Sterling Ryby and Masaomi Yasunaga
Art Viewer, Sterling Ruby and Masaomi Yasunaga
Air Mail, Sterling Ruby and Masaomi Yasunaga
Los Angeles Times, Kaz Oshiro
ArtnowLA, Kaz Oshiro
What's on Los Angeles, Kaz Oshiro
KCRW, Kaz Oshiro
Tique, Kaz Oshiro
Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga
– 2019 –
Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review Los Angeles, Tatsumi Hijikata, Eikoh Hosoe
ArtAsiaPacific, Yutaka Matsuzawa
Los Angeles Times, Tatsumi Hijikata
AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill
ARTFORUM, Takuro Tamayama, Tiger Tateishi
Art Viewer, Takuro Tamayama, Tiger Tateishi
KCRW, Nonaka-Hill
LA WEEKLY, Nonaka-Hill
AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi
ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito
Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga
KQED, Tadaaki Kuwayama, Rakuko Naito
Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Los Angeles Times, Miho Dohi
Los Angeles Review of Books, Miho Dohi
Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Art Viewer, Miho Dohi
Art & Object, Parergon
COOL HUNTING, Felix Art Fair
Art Viewer, Tadaaki Kuwayama
artnet news, Nonaka-Hill
Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu
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