Natsuyasumi: In the Beginning Was Love
Press:
Art Viewer, August 23, 2021
Hyperallergic, August 10, 2021
Nonaka-Hill is honored to present Natsuyasumi: In the Beginning Was Love. A group exhibition with the ideals of Summer Vacation as it’s muse. Presenting works by eleven contemporary artists working in Japan, the dense variety of images may resemble someone else’s phone camera roll after a summer well spent with family and friends, good times, good food and good drink (perhaps a little too much drink). The exhibition opens on July 28th and continues through September 11th, 2021.
You never know which moment, however insignificant it may have seemed at that time, may later be ascribed with importance, or poetry. So, we keep all the images, as evidence of a life lived. We all know that despite the incoherent compositions, the lack of poise, the image really is a vessel of some meaning, feeling, some forgettable moments that when remembered by the image, even accidentally, can be stuck with us as a time that was fun.
Natsuyasumi, one of the words to be learned in a Japanese Language 101 course, means Summer Vacation. The singsongy pronunciation (Nah tsu - yah sue me) is almost onomatopoeically appropriate to its subject, making it quite easy to remember, like a good Pop song.
Participating artists are Masaya Chiba, Cobra, Motoyuki Daifu, Koichi Enomoto, Daisuke Fukunaga, Nanami Hori, Kyoko Idetsu, Ulala Imai, Yusuke Saito, Takuro Tamayama, Tadanori Yokoo.
- Koichi EnomotoLight in August, 2021Oil on canvas57 1/8 x 44 1/8 in
145 x 112 cm - Koichi EnomotoIn the beginning was love, 2020Oil on canvas.57 1/4 x 44 1/8 in
145.5 x 112 cm - Koichi EnomotoUntitled, 2014Oil on canvas31 1/2 x 25 5/8 in
80 x 65 cm - CobraStory of egg (bird gallery for bird), 2021Bird cage, acrylic on canvas, lemon20 1/2 x 11 3/4 x 11 3/4 in
52 x 30 x 30 cm - CobraUntitled, 2021C-print22 7/8 x 16 3/8 in
58 x 41.5 cm - Kyoko IdetsuStone on the table, 2020Oil on canvas194 x 162 cm
76 3/8 x 63 3/4 in - Kyoko IdetsuToil, 2021Oil on canvas.13 1/8 x 9 1/2 in
33.3 x 24.2 cm - Kyoko IdetsuChinese restaurant, 2020Oil on canvas.17 7/8 x 11 3/4 in / 45.5 x 30 cm
16 1/8 x12 1/2 in / 41 x 31.8 cm
10 3/4 x 8 5/8 in / 27.3 x 22 cm - Kyoko IdetsuEmpathy-SIX SENSE, 2017Oil on canvas.12 1/2 x 16 1/8 in
31.8 x 41 cm - Kyoko IdetsuOne-operation Inexperienced, 2017Oil on canvas, diptych.10 3/4 x 8 5/8 in each panel
27.3 x 22 cm each panel - Kyoko IdetsuTeeth hole, 2020Acrylic on paper16 1/2 x 12 7/8 in
42 x 32.8 cm - Kyoko Idetsu川 (River), 2018Oil on canvas.17 7/8 x 15 in
45.5 x 38 cm - Kyoko Idetsu森を見て木を見ず (Looking at the forest without seeing the tree), 2018Oil on canvas.35 7/8 x 28 5/8 in
91 x 72.7 cm - Kyoko IdetsuOn the street, 2021Oil on canvas.6 1/4 x 9 in
15.8 x 22.7 cm - Kyoko IdetsuToilet in the bag, 2021Oil on canvas.13 1/8 x 9 1/2 in
33.3 x 24.2 cm - Kyoko IdetsuBuy me (dog), 2020Oil on canvas.6 1/4 x 9 in
15.8 x 22.7 cm - Daisuke Fukunagaピース Peace, 2010Oil on canvas114 5/8 x 86 1/8 in
291.2 x 218.5 cm - Daisuke FukunagaPrivate orchestra, 2010Oil on canvas85 7/8 x 114 3/4 in
218 x 291.3 cm - Ulala ImaiThe Luncheon, 2021Oil on canvas, two panels.102 x 152 3/4 in, overall
259 x 388 cm, overall - Takuro TamayamaPerfect Lovers, 2021Mixed media
- Takuro TamayamaBurger and Sandwich, 2019Resin, sesame, plate.26.5 x 24 x 24 cm
10-1/2 x 9-1/2 x 9-1/2 inch - Nanami HoriExtra innings, 2020Oil on canvas23 7/8 x 17 7/8 in
60.6 x 45.5 cm - Nanami HoriExtra innings at Koshien, 2020Oil on canvas23 5/8 x 17 7/8 in
60 x 45.5 cm - Motoyuki DaifuStill Life, 2010C-print mounted on aluminum86 x 65.7 cm (33 7/8 x 25 7/8 in)
framed: 93.5 x 73 cm (36 3/4 x 28 3/4 in) - Motoyuki DaifuStill Life, 2013C-print mounted on aluminum86 x 65.7 cm (33 7/8 x 25 7/8 in)
framed: 93.5 x 73 cm (36 3/4 x 28 3/4 in) - Motoyuki DaifuStill Life, 2013C-print mounted on aluminum86 x 65.7 cm (33 7/8 x 25 7/8 in)
framed: 93.5 x 73 cm (36 3/4 x 28 3/4 in) - Motoyuki DaifuUntitled (Project Family), 2010C-print mounted on aluminum50.8 x 61 cm (20 x 24 1/8 in)
- Motoyuki DaifuUntitled (Project Family), 2010C-print mounted on aluminum50.8 x 61 cm (20 x 24 1/8 in)
- Motoyuki DaifuUntitled (Project Family), 2010C-print mounted on aluminum50.8 x 61 cm (20 x 24 1/8 in)
- Motoyuki DaifuUntitled (Project Family), 2010C-print mounted on aluminum50.8 x 61 cm (20 x 24 1/8 in)
- Motoyuki Daifuuntitled (surround), 2018C-print mounted on aluminum101.6 x 76.2 cm (40 x 30 in)
framed: 105 x 79.5 cm (41 3/8 x 31 1/4 in) - Motoyuki Daifuuntitled (surround), 2018C-print mounted on aluminum101.6 x 76.2 cm (40 x 30 in)
framed: 105 x 79.5 cm (41 3/8 x 31 1/4 in) - Motoyuki Daifuuntitled (surround), 2018C-print mounted on aluminum101.6 x 76.2 cm (40 x 30 in)
framed: 105 x 79.5 cm (41 3/8 x 31 1/4 in) - Masaya ChibaHeart, 2021Wood, metal and rubber wheels.91 x 149 x 60 in
231.1 x 378.5 x 152.4 cm - Masaya ChibaUnlimited Factor (Lively Conversation in a Car, Sensation of Running Over a Toad), 2020Pencil on paper11 1/4 x 15 1/2 in
28.5 x 39.5 cm - Masaya Chiba無限のファクター(パスタを食べる / 太る) ("Unlimited Factor(Eating Pasta / Weight Gain)"), 2018Pencil on paper.13 x 18 1/8 in
33 x 46 cm - Masaya Chiba無限のファクター(ラップバトル) ("Unlimited Factor (Battle Rap) "), 2020Pencil on paper26.5 x 39.5 cm
10 3/8 x 15 1/2 in - Masaya Chiba無限のファクター(狂気に狙われる事(女)) ("Unlimited Factor (Matter (Woman) Targeted by Insanity)"), 2018Pencil on paper.21 1/2 x 16 7/8 in
54.7 x 43 cm - Masaya Chiba無限のファクター(飛び降り) ("Unlimited Factor (Jump)"), 2020Pencil on paper.25 x 39.5 cm
9 7/8 x 15 1/2 in - Yusuke SaitoLittering shelf (Dreamcatcher), 2021Found objects13 3/4 x 6 3/4 x 2 in
35 x 17 x 5 cm - Yusuke SaitoWhat is this? (night cloud), 2021Cement, found objects.9 5/8 x 13 x 2 3/4 in
24.5 x 33 x 7 cm - Yusuke SaitoWhat is this? (mushroom), 2021Cement, found objects.11 1/4 x 11 1/8 x 2 3/4 in
28.5 x 28 x 7 cm - Yusuke SaitoWhat is this? (Garlic) , 2021Cement, found objects.12 1/8 x 10 5/8 x 2 1/2 in
30.5 x 27 x 6.5 cm - Yusuke SaitoWhat is this? (ear), 2021Cement, found objects.12 1/8 x 7 7/8 x 2 1/2 in
30.5 x 20 x 6.5 cm - Yusuke SaitoWhat is this? (Apple Pie), 2021Cement, found objects.11 1/8 x 10 7/8 x 2 1/8 in
28 x 27.5 x 5.5 cm - Yusuke SaitoL.H.P #1, 2020Acrylic on found objects.35 3/8 x 35 3/8 in
90 x 90 cm - Yusuke SaitoL.H.P #11, 2021Acrylic on found objects.35 3/8 x 35 3/8 in
90 x 90 cm - Yusuke SaitoL.H.P #13 , 2021Acrylic on found objects.35 3/8 x 35 3/8 in
90 x 90 cm - Yusuke SaitoL.H.P #2, 2020Acrylic on found objects.35 3/8 x 35 3/8 in
90 x 90 cm - Yusuke SaitoL.H.P #3, 2020Acrylic on found objects.35 3/8 x 35 3/8 in
90 x 90 cm - Yusuke SaitoL.H.P. #12, 2021Acrylic on found objects.35 3/8 x 35 3/8 in
90 x 90 cm - Tadanori YokooSuntoryReal-Draft, 1978Offset print
Original vintage condition
Suite of 540 1/2 x 28 5/8 in
103 x 72.8 cm - Tadanori YokooSuntory Whiskey White, 1978Offset print
Original vintage condition
Suite of 540 1/2 x 28 5/8 in
103 x 72.8 cm - Tadanori YokooSuntory Vodka, 1978Offset print
Original vintage condition
Suite of 540 1/2 x 28 5/8 in
103 x 72.8 cm - Tadanori YokooSuntory Delica vin blanc, 1978Offset print
Original vintage condition
Suite of 540 1/2 x 28 5/8 in
103 x 72.8 cm - Tadanori YokooSuntory Akadama Punch, 1978Offset print
Original vintage condition
Suite of 540 1/2 x 28 5/8 in
103 x 72.8 cm
Related artists
Artist Exhibited:
Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata
Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima
Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga
Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga
Exhibitions:
-2025-
-2024-
KYOKO IDETSU: What can an ideology do for me?
KENTARO KAWABATA / BRUCE NAUMAN
SAORI (MADOKORO) AKUTAGAWA: CENTENARIA
Keita Matsunaga : Accumulation Flow
-2023-
NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan
TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies
TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda
Kiyomizu Rokubey VIII: CERAMIC SIGHT
Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones
SHUZO AZUCHI GULLIVER ‘Synogenesis’
Koichi Enomoto: Against the day
Tatsuo Ikeda / Michael E. Smith
Hiroshi Sugito: the garden with Zenzaburo Kojima
Zenzaburo Kojima: This very green
Tomohisa Obana: To see the rainbow at night, I must make it myself
Daisuke Fukunaga: Beautiful Work
- 2021 -
Natsuyasumi: In the Beginning Was Love
Takashi Homma: mushrooms from the forest
– 2020 –
Hosai Matsubayashi XVI & Trevor Shimizu
Sterling Ruby and Masaomi Yasunaga
– 2019 –
A show about an architectural monograph
Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama
– 2018 –
Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass
Press:
-2025-
Artillery Magazine, Sawako Goda
-2024-
Artsy, Nonaka-Hill
Richesse, Nonaka-Hill Kyoto
Bijutsutecho, Nonaka-Hill Kyoto
The Art Newspaper, Nonaka-Hill Kyoto
Meer, Kyoko Idetsu
Bijyutsutecho, Masaomi Yasunaga
Switch, Masaomi Yasunaga
ARTnews JAPAN, Masaomi Yasunaga
Richesse, Masaomi Yasunaga
Art Basel, Daisuke Fukunaga, Imai Ulala
Art Basel, Kazuo Kadonaga, Sofu Teshigahara
-2023-
ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata
e-flux, Sanya Kantarofsky, Yasuo Kuroda
Los Angeles Times, Kenzi Shiokava
Artillery, Masaomi Yasunaga
Contemporary Art Daily Shuzo Azuchi Gulliver
- 2022 -
Contemporary Art Daily, Tomohisa Obana
ARTE FUSE, Daisuke Fukunaga
Contemporary Art Daily, Daisuke Fukunaga
Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga
What's on Los Angeles, Daisuke Fukunaga
Hyperallergic, Daisuke Fukunaga
Artillery, Kentaro Kawabata
Larchmont Buzz, entaro Kawabata
- 2021 -
Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love
Art Viewer, Takashi Homma
Hyperallergic, Busy Work at Home
Art Viewer, Busy Work at Home
Hyperallergic, Ulala Imai
Contemporary Art Review Los Angeles (Carla), Ulala Imai
Contemporary Art Daily, Ulala Imai
artillery, Ulala Imai
Special Ops, Ulala Imai
Art Viewer, Ulala Imai
artillery, Matsubayashi & Trevor Shimizu
– 2020 –
Ceramic Now, Sterling Ryby and Masaomi Yasunaga
Hypebeast, Sterling Ryby and Masaomi Yasunaga
Art Viewer, Sterling Ruby and Masaomi Yasunaga
Air Mail, Sterling Ruby and Masaomi Yasunaga
Los Angeles Times, Kaz Oshiro
ArtnowLA, Kaz Oshiro
What's on Los Angeles, Kaz Oshiro
KCRW, Kaz Oshiro
Tique, Kaz Oshiro
Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga
– 2019 –
Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review Los Angeles, Tatsumi Hijikata, Eikoh Hosoe
ArtAsiaPacific, Yutaka Matsuzawa
Los Angeles Times, Tatsumi Hijikata
AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill
ARTFORUM, Takuro Tamayama, Tiger Tateishi
Art Viewer, Takuro Tamayama, Tiger Tateishi
KCRW, Nonaka-Hill
LA WEEKLY, Nonaka-Hill
AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi
ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito
Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga
KQED, Tadaaki Kuwayama, Rakuko Naito
Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Los Angeles Times, Miho Dohi
Los Angeles Review of Books, Miho Dohi
Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Art Viewer, Miho Dohi
Art & Object, Parergon
COOL HUNTING, Felix Art Fair
Art Viewer, Tadaaki Kuwayama
artnet news, Nonaka-Hill
Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu
This website uses cookies
This site uses cookies to help make it more useful to you. Find out more about cookies.