Busy Work at Home
Press:
Hyperallergic: May 25, 2021
Art Viewer: May 9, 2021
Busy Work at Home
A group show from a mid-pandemic point of view; a sentimental journey for multitaskers and “A Celebration of Specialness”.
includes work by: BLESS, David Byrne, Aki Goto, Alice Hutchins, Studio of Maki Kinnosuke, Adelle Lutz, Enzo Mari, Ingo Maurer, Issey Miyake, Nintendo, Tomohisa Obana, Toru Otani, Joel Otterson, Tejo Remy, Alma Siedhoff-Buscher and Studio of Kamekichi Tsunajima.
Nonaka-Hill is pleased to share our fondness for tatebanko prints, produced in Japan during the Edo Period (1603-1868) through Meiji Restoration (1868 – 1912). These colorful images, usually depicting important buildings, historic battles, or Kabuki theatre scenes are segmented into multiple image composition parts, swirling in every direction to fill the page. By cutting around the periphery of the images, a small toy diorama could be set up. Perhaps tatebanko were meant to keep children’s little hands busy and minds stimulated while parents do “grown-up stuff”. From a 21st Century point of view, these 3 or 5 sheet suites appear Surreal or Abstract, but in their day, these notions barely existed. Now considered rare, it is a conundrum that the page must be destroyed for the 2D image to reach its 3D potential.
These tatebanko diorama print suites are the inspiration for our meandering exhibition, which stages artworks, design objects, costumes and garments, antique furnishings, film and video, camouflaging with “Wallscape” murals from Bless and a few room accents from Target to create tableau which may, for some, evoke diverse conditions experienced in our current Covid-19 pandemic.
Artist and artwork information: CLICK HERE
For additional information, please contact: gallery@nonaka-hill.com
- Studio of Kinnosuke MakiDiagram of the Great Fierce Attack on Nanzan Mountain during the Russo-Japanese War, 1904, Meiji 37Woodblock prints as buildable paper toy set, a triptych.14 3/8” x 9 1/2” each
36.5cm x 24.2cm each - Studio of Kamekichi Tsunajima鬼一法眼鞍馬山術健の場組上, 1912, Meiji 45Woodblock print.14 5/8 x 9 13/16 in each
37 x 25 cm each - Studio of Kinnosuke MakiDefeat of a Female Demon at Togakushi, 1893, Meiji 26Woodblock prints as buildable paper toy set, a triptych.14 13/16 x 9 7/8 in each
37.5cm x 25 cm each - Adelle LutzUrban Camouflage Clothing: Brick Suit, 1986Mixed media.
- Adelle LutzUrban Camouflage Clothing: Brick Suit, 1986Mixed media.
- Adelle LutzUrban Camouflage Clothing: Brick Dress, 1986Mixed media.
- Adelle LutzUrban Camouflage Clothing: Column Dress, 1986Mixed media.
- Tomohisa Obana16, 2020Clay, glaze.
Paulownia tomobako box, titled, signed & stamped in ink, printed paper, ribbon. - Tomohisa Obana(not yet titled), 2021Six clay balls.
Paulownia tomobako box, titled, signed & stamped in ink.ball: 1 1/8 in diameter
ball: 2.9 cm diameter
tomobako: 2 3/8 x 12 1/8 x 2 1/4 in
tomobako: 6 x 30.6 x 5.6 cm - Tomohisa ObanaTsuchidama, 202124 clay balls (1 3/8 in, 3.5 cm diameter each) with 2 tier Paulownia tomobako box, titled, signed & stamped in ink.5 1/4 x 6 1/8 x 7 7/8 in
13.3 x 15.6 x 20 cm - Tomohisa Obana好日 / Good Day, 2020Clay, low temperature glaze .5 7/8 x 5 3/4 x 5 3/4 in
15 x 14.5 x 14.5 cm - Joel OttersonBallade d'Or, 2015Wool carpet, velvet, brass, glass, plastic, porcelain and steel44 3/4 x 21 1/2 x 3 in
113.7 x 54.6 x 7.6 cm - Joel OttersonRosa Toccatta, 2015Wool carpet, velvet, brass, glass, plastic, coral, porcelain, shell, mother of pearl and wood.46 1/2 x 25 x 3 1/4 in
118.1 x 63.5 x 8.3 cm - Joel OttersonMy Shoes, 1988Mixed media.60 x 24 x 24 in
152.4 x 61 x 61 cm - Joel OttersonGood Luck Happy Crystal Rainbow, 2014Beads, wire, chain, amethyst crystals, horse shoe and steel.84 x 13 x 5 in
213.4 x 33 x 12.7 cm - Studio of Kinnosuke MakiFierce battle near the Twelfth Phoenix Castle in the Russo-Japanese War, 1904, Meiji 37Woodblock prints as buildable paper toy set, a triptych.14 1/4 x 9 1/2 in each
36cm x 24 cm each - Studio of Kinnosuke MakiYoritomo Fujino Makikari Nita Shiro Isao Nozomi Zukumi Kamike, 1897, Meiji 30Woodblock prints as buildable paper toy set, a five sheet suite.14 1/2 x 9 13/16 in each
37cm x 25cm each - Studio of Kinnosuke MakiMiniature stage model of a kabuki performance, 1898, Meiji 31Woodblock prints as buildable paper toy set, a five sheet suite. Good impressions and condition, a minute hole, fold lines.14 1/2 x 10 in each
37 x 25.3 cm each - Alice HutchinsCanal Street Series, 1968-2005Alnico magnet and painted steel componentdimensions variable
- Alice HutchinsNEBULA, 1971Magnetic Sculpture in original packaging, repaired paper label.
- Alice HutchinsUntitled, ca 1973Two Alnico magnets, steel balls, metal discsdimensions variable
- Alice HutchinsUntitled, 1980Ferrite magnet, metal found object, color plastic, colored screws, galvanized metaldimensions variable
- Alice HutchinsUntitled (a multiple), ca 1969Four plated and painted Alnico magnetsdimensions variable
- Toru OtaniAstral (black, green), 2020Color pencil on abrasive paper22 1/8 x 18 1/8 in
56 x 46 cm - Toru Otani - 大谷 透, Eyes (red), 2019
- Toru Otani - 大谷 透, Hands (black), 2019
- Toru OtaniNight, 2013Color pencil on abrasive paper22 1/8 x 18 1/8 in
56 x 46 cm - Toru Otani(insert kanji) society, 2020Color pencil on note8 1/4 x 5 7/8 in
21 x 15 cm - Toru OtaniAstral (black, green), 2020Colour pencil on abrasive paper22 1/8 x 17 3/4 in
56 x 45 cm - Toru Otanileft hand, 2020Color pencil on postcard.5 1/2 x 3 1/2 in
14 x 9 cm - Toru OtaniTwo Tanks (Gray), 2018Color pencil on abrasive paper.11 1/8 x 18 1/8 in
28 x 46 cm - Toru OtaniKSF Red, 2018Color pencil on abrasive paper11 1/8 x 18 1/8 in
28 x 46 cm - Toru Otanitwo triangles, 2020Color pencil on postcard.8 1/4 x 5 7/8 in
21 x 15 cm - Toru Otaniドライブ Drive, 2020Color pencil on paper5 7/8 x 8 1/4 in
15 x 21 cm - Toru Otani - 大谷 透, 10 of Crabs, 2015
- Toru Otani - 大谷 透, 3 of Crabs, 2015
- Aki GotoHanten, 2020Misc. fabrics, hand-stitching.57 x 31 in
144.8 x 78.7 cm - Aki GotoHanten, 2020Misc. fabrics, hand-stitching.57 x 27 1/2 in
144.8 x 70 cm - Aki GotoHanten, 2020Misc. fabrics, hand-stitching.57 x 30 1/2 in
144.8 x 77.5 cm - Aki GotoHanten, 2020Misc. fabrics, hand-stitching.
- Aki GotoHanten (child's), 2020Misc. fabrics, hand-stitching.40 1/2 x 18 in
102.9 x 45.7 cm - Alma Siedhoff-BuscherBauhaus Bauspiel, 1923Painted wood1 5/8 x 10 5/8 x 2 1/2 in
4 x 27 x 6.5 cm - Studio of Kinnosuke MakiMiniature stage model of a kabuki performance, 1897, Meiji-period & laterWoodblock prints as buildable paper toy set, a triptych. Good impressions and condition15 9/16” x 10 3/8” each
39.5cm x 26.3cm each - Studio of Kinnosuke MakiThe Russo-Japanese War: My scouting cavalry in action by the Yalu River, 1904, Meiji 37Woodblock prints as buildable paper toy set, a triptych.14 1/4 x 9 5/8 in each
36cm x 24.5 cm each - Studio of Kinnosuke MakiMiniature stage model of the play Kumagai, 1894, Meiji 27Woodblock prints as buildable paper toy set, a triptych.10 5/16” x 15 1/2” each
39.5cm x 26.2 cm each - Studio of Kinnosuke Maki歌舞伎座當り狂言鏡山組上, 1900, Meiji 33Woodblock prints as buildable paper toy set, a triptych.14 3/8 x 9 11/16 in each
36.5cm x 24.7 cm each - Studio of Kinnosuke Maki歌舞伎座新狂言侠客春雨傘中之町場組上ケ, 1872, Meiji 3Woodblock prints as buildable paper toy set, a triptych.14 1/2 x 9 13/16 in each
37cm x 25cm each - Studio of Kinnosuke Maki市川左団次當り狂言丸橋忠弥召捕之場, 1894, Meiji 27Woodblock prints as buildable paper toy set, a triptych.14 1/2 x 9 13/16 in each
37cm x 25cm each - Studio of Kinnosuke Maki吉野山忠信勇戦之場組上ケ, 1899, Meiji 32Woodblock prints as buildable paper toy set, a triptych.14 1/2 x 9 13/16 in each
37cm x 25cm each - BLESSBLESS Nº26 MultiplugNatural wood beads, Electric devise with several outlets suspended from the ceiling, fringe cable. You can plug in BLESS Lampknots or any other devise - a modern chandelier.
- BLESSN°56 Worker’s Delight: RythmerStepper: 100% steel with rubber foam protraction.
Cushion: 100% cotton cover, 100% polyester filling. - BLESSN°56 Worker’s Delight: Neckrestdeskcushions: cover 100% cotton, filling 100% foam & plywood
metal structure: 100% steel with rubber foam protaction colormix50 1/2 x 38 x 22 in
128.3 x 96.5 x 55.9 cm
Related artists
Artist Exhibited:
Ulala Imai
Kazuo Kadonaga
Kentaro Kawabata
Zenzaburo Kojima
Kisho Kurokawa
Tadaaki Kuwayama
Toshio Matsumoto
Keita Matsunaga
Yutaka Matsuzawa
Kimiyo Mishima
Kunié Sugiura
Takuro Tamayama
Tiger Tateishi
Sofu Teshigahara
Shomei Tomatsu
Wataru Tominaga
Hosai Matsubayashi XVI
Kansuke Yamamoto
Masaomi Yasunaga
Exhibitions:
-2025-
-2024-
KYOKO IDETSU: What can an ideology do for me?
KENTARO KAWABATA / BRUCE NAUMAN
SAORI (MADOKORO) AKUTAGAWA: CENTENARIA
Keita Matsunaga : Accumulation Flow
-2023-
NONAKA-HILL ♥ TATAMI ANTIQUES: A holiday sale of unique objects from Japan
TAKASHI HOMMA : REVOLUTION No.9 / Camera Obscura Studies
TATSUMI HIJIKATA THE LAST BUTOH: Photographs by Yasuo Kuroda
Kiyomizu Rokubey VIII: CERAMIC SIGHT
Masaomi Yasunaga: 石拾いからの発見 / discoveries from picking up stones
SHUZO AZUCHI GULLIVER ‘Synogenesis’
Koichi Enomoto: Against the day
Tatsuo Ikeda / Michael E. Smith
Hiroshi Sugito: the garden with Zenzaburo Kojima
Zenzaburo Kojima: This very green
Tomohisa Obana: To see the rainbow at night, I must make it myself
Daisuke Fukunaga: Beautiful Work
- 2021 -
Natsuyasumi: In the Beginning Was Love
Takashi Homma: mushrooms from the forest
– 2020 –
Hosai Matsubayashi XVI & Trevor Shimizu
Sterling Ruby and Masaomi Yasunaga
– 2019 –
A show about an architectural monograph
Yutaka Matsuzawa
Yutaka Matsuzawa through the lens of Mitsutoshi Hanaga
Takuro Tamayama & Tiger Tateishi
Kunié Sugiura
Masaomi Yasunaga
Miho Dohi
Wataru Tominaga
Naotaka Hiro
Parergon: Japanese Art of the 1980s and 1990s
Tadaaki Kuwayama
– 2018 –
Toshio Matsumoto
Kentaro Kawabata
Kansuke Yamamoto
Kazuo Kadonaga: Wood / Paper / Bamboo / Glass
Press:
-2025-
Artillery Magazine, Sawako Goda
-2024-
Artsy, Nonaka-Hill
Richesse, Nonaka-Hill Kyoto
Bijutsutecho, Nonaka-Hill Kyoto
The Art Newspaper, Nonaka-Hill Kyoto
Meer, Kyoko Idetsu
Bijyutsutecho, Masaomi Yasunaga
Switch, Masaomi Yasunaga
ARTnews JAPAN, Masaomi Yasunaga
Richesse, Masaomi Yasunaga
Art Basel, Daisuke Fukunaga, Imai Ulala
Art Basel, Kazuo Kadonaga, Sofu Teshigahara
-2023-
ADF webmagazine, Yasuo Kuroda, Tatsumi Hijikata
e-flux, Sanya Kantarofsky, Yasuo Kuroda
Los Angeles Times, Kenzi Shiokava
Artillery, Masaomi Yasunaga
Contemporary Art Daily Shuzo Azuchi Gulliver
- 2022 -
Contemporary Art Daily, Tomohisa Obana
ARTE FUSE, Daisuke Fukunaga
Contemporary Art Daily, Daisuke Fukunaga
Contemporary Art Review Los Angeles (Carla), Daisuke Fukunaga
What's on Los Angeles, Daisuke Fukunaga
Hyperallergic, Daisuke Fukunaga
Artillery, Kentaro Kawabata
Larchmont Buzz, entaro Kawabata
- 2021 -
Art Viewer, Natsuyasumi: In the Beginning Was Love
Hyperallergic, Natsuyasumi: In the Beginning Was Love
Art Viewer, Takashi Homma
Hyperallergic, Busy Work at Home
Art Viewer, Busy Work at Home
Hyperallergic, Ulala Imai
Contemporary Art Review Los Angeles (Carla), Ulala Imai
Contemporary Art Daily, Ulala Imai
artillery, Ulala Imai
Special Ops, Ulala Imai
Art Viewer, Ulala Imai
artillery, Matsubayashi & Trevor Shimizu
– 2020 –
Ceramic Now, Sterling Ryby and Masaomi Yasunaga
Hypebeast, Sterling Ryby and Masaomi Yasunaga
Art Viewer, Sterling Ruby and Masaomi Yasunaga
Air Mail, Sterling Ruby and Masaomi Yasunaga
Los Angeles Times, Kaz Oshiro
ArtnowLA, Kaz Oshiro
What's on Los Angeles, Kaz Oshiro
KCRW, Kaz Oshiro
Tique, Kaz Oshiro
Contemporary Art Daily, Kaz Oshiro
Art Viewer, Kaz Oshiro
Contemporary Art Daily, Sofu Teshigahara
Art Viewer, Sofu Teshigahara
KCRW, Sofu Tsshigahara
Hyperallergic, Nonaka-Hill
Los Angeles Times, Keita Matsunaga
– 2019 –
Los Angeles Times, Tatsumi Hijikata
Art Viewer, Tatsumi Hijikata, Eikoh Hosoe
Contemporary Art Review Los Angeles, Tatsumi Hijikata, Eikoh Hosoe
ArtAsiaPacific, Yutaka Matsuzawa
Los Angeles Times, Tatsumi Hijikata
AUTRE, Tatsumi Hijikata, Eikoh Hosoe
Los Angeles Times, Nonaka-Hill
ARTFORUM, Takuro Tamayama, Tiger Tateishi
Art Viewer, Takuro Tamayama, Tiger Tateishi
KCRW, Nonaka-Hill
LA WEEKLY, Nonaka-Hill
AUTRE, Takuro Tamayama, Tiger Tateishi
ArtsuZe, Takuro Tamayama, Tiger Tateishi
ARTFORUM, Review: Tadaaki Kuwayama, Rakuko Naito
Art Viewer, Masaomi Yasunaga, Kunié Sugiura
Los Angeles Times, Masaomi Yasunaga
KQED, Tadaaki Kuwayama, Rakuko Naito
Contemporary Art Daily, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Los Angeles Times, Miho Dohi
Los Angeles Review of Books, Miho Dohi
Bijutsu Techo, Naotaka Hiro, Wataru Tominaga, Miho Dohi
Art Viewer, Miho Dohi
Art & Object, Parergon
COOL HUNTING, Felix Art Fair
Art Viewer, Tadaaki Kuwayama
artnet news, Nonaka-Hill
Contemporary Art Review Los Angeles (Carla), Tadaaki Kuwayama
– 2018 –
Art Viewer, Kentaro Kawabata
Contemporary Art Daily, Kazuo kadonaga
Los Angeles Times, Kazuo Kadonaga
ARTFORUM, Kazuo Kadonaga
Contemporary Art Daily, Shomei Tomatsu
KCRW, Kimiyo Mishima, Shomei Tomatsu
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